Victor Hugo Quotes
Quotes to Explore
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The reasons kids get into trouble in one way or another is because - Who ever told them they were special?
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I'm from Iowa Falls, Iowa. My dad was a small-town lawyer, and my mom was a pharmacist. She worked at Swartz Drug. I have five older brothers.
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I listen to 'deep dish house'.
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Knowledge has outstripped character development, and the young today are given an education rather than an upbringing.
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All I know is what the words know, and dead things, and that makes a handsome little sum, with a beginning and a middle and an end, as in the well-built phrase and the long sonata of the dead.
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Each book tends to have its own identity rather than the author's. It speaks from itself rather than you. Each book is unlike the others because you are not bringing the same voice to every book. I think that keeps you alive as a writer.
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I'm just trying to approach what I make with as much respect and research as I can, and just make it with a good heart.
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A community having the breadth and scope of a people still cannot claim to be an ethnic community unless and until there emerges from its mentality a distinctive culture particularized by the community's special character.
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I have no ties to my dad. I had no communications with him; it didn't shape who I am or anything like that. I'm actually a product of my mom.
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When people say 'marriage' to me... It's always a means to an end. Everyone's so in a rush to define the relationship.
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I have the rare privilege of talking to my dad every night at 10 p.m. and hearing about what he did that day.
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Ultimately, when I go back to the stage, I want to be able to do everything. I want to be able to do music and comedy and all that stuff; that's what all this stuff is leading to.
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I love the idea that I planned my career. I did not. It started out by getting invitations from artists that I really love and respect, to share a stage... I've been very lucky in that I haven't had to create a five-year plan. It's evolved.
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I don't like the 'must', the 'always', and the 'never' words. I don't like 'no' either.
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'Frida' was a joy; this was delicious, I couldn't wait every day to get to the set, although I was exhausted, and have my leg get cut off or lose the baby or be in her shoes and get to play my hero and be able to go places emotionally. You know, we live for parts like this. This is a dream for an actor.
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There's the part of my life that the public and I share together. And there's the part that's mine to keep for myself. And that's mine. For me.
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During my twenties and thirties, my interest in the political poem increased as my apparent access to it declined. I sensed resistances around me. I was married; I lived in a suburb; I had small children.
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I suppose being quite young and being thrust quite dramatically into a large public arena skewered my vision of what it means to live and be a part of something.
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I've wanted somehow to convey to you the sensations - the atmospheric pressure, you might say - of what it is to be seriously a long-term prisoner in an American prison.
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I feel, for the most part, especially in comedy, you make your own work, and maybe that's true across the board.
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The notion of the free play of the mind upon all subjects being a pleasure in itself, being an object of desire, being an essential provider of elements without which a nation's spirit, whatever compensations it may have for them, must, in the long run, die of inanition, hardly enters into an Englishman's thoughts.
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Everyone tells me to play as long as you can. Sometimes, it goes in one ear and out the other.
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Do you feel good in your role? If yes, that's the perfect time for you to experiment with something new, to get out of your comfort zone. This willingness to learn is probably the most important thing for leaders of today and tomorrow.
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Work, which makes a man free, and thought, which makes him worthy of freedom.
