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I'm not out to convince anybody of anything.
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And that works for me. So that if this is it, you better take it at its right proportion. That there are serious things, but most things are temporal and ephemeral, and you should cultivate that attitude. That joy and love and all the verities are what counts. So I try not to take too many things seriously, and if I find myself caught up in the seriousness of the moment, within a period of time, I'm able to cajole myself out of it.
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People have an affinity towards things, and you don't know where it comes from. Mozart wrote a symphony when he was four, so it's said; the theory is maybe because his father was a conductor, it happened in vitro, and he heard the music before he was born, and by the age of four he knew how to write music.
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My life is my statement and I try to be true to myself and thusly to other people. Whatever my failings are, they are human and I try to perfect it each day.
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If saving money is wrong, I don't want to be right!
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When I'm interviewing somebody I don't work from prepared questions.
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Every piece of entertainment is made with the idea that 'This is going to be terrific' and 'This is the best thing I've ever done' and then it hits the public and then the public tells you whether it's good or bad.
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There was nothing lonelier than a man with a million friends.
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My dad died of a stroke.
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When I direct and have to look at filmed scenes of myself, I suck.
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Youth is the ultimate limited resource.
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I'm coming little animal!.
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The conundrum of free will and destiny has always kept me dangling.
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I'm interested in man's march into the unknown but to vomit in space is not my idea of a good time. Neither is a fiery crash with the vomit hovering over me.
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It's I who have to talk fast. It's you who have to think fast.
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My boy, that was a TV show. I used a stunt double. I always use a stunt double. Except in love scenes. I insist on doing those myself.
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When I was out for the Christmas Holidays in school, I would go skiing up to the mountains and there they had Santa on a sled. Pulled by horses and other reindeer, it was a very, very picturesque time and that struck me very emphatically then and has remained with me all this time.
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Montreal is a very cosmopolitan, sophisticated, erudite, educated, glorious city today. But it wasn't quite that way when I was growing up there. There was a lot of anti-Semitism. And I had to deal with that in an area of the city that had very few Jews.
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A stage actor has to be 10% aware of the audience as he's performing.
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Pain and guilt can't be taken away with the wave of a magic wand. They're the things we carry with us, the things that make us who we are. If we lose them, we lose ourselves. I don't want my pain taken away! I need my pain!
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I think the acting satisfies the need and desire for approval.
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A tree you pass by every day is just a tree. If you are to closely examine what a tree has and the life a tree has, even the smallest thing can withstand a curiosity, and you can examine whole worlds.
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I did some professional radio acting as a teenager, and I essentially put myself through college with radio acting in Montreal. When I graduated, I got jobs in professional theatres, repertory, and stock theatres in Canada for a couple of years. And then I went to Stratford, Ontario, where I spent three years with a Shakespeare company. We took a classical play from Stratford to New York City, and I got some good notices there and essentially stayed and did live television. And that brings you to the beginning of filming.
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Memories were the markers of the journey through life. It was necessary to know where you had come from. Only then could you know where you were going.