Tom Hardy Quotes
Maybe it's a little ambitious of me to presume that no matter how big the film is, that I can always go down to the shop to buy a pint of milk.
Quotes to Explore
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I get offers all the time from film makers, but they are unknown quantities. I don't go there and do experiments.
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Film has to describe and show.
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When it's time to film and to actually take on the role of Precious, I felt an immense responsibility to do it justice.
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Film has played such a big part in my life, in my impressions of the United States.
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My mum is my biggest critic. She said I was good for the first film, but I can still be better, and I need to polish my acting skills.
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The cow is of the bovine ilk; one end is moo, the other milk.
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The entertainment medium of film is particularly tuned to the present imaginations of people at large. A lot of fiction is intensely nostalgic.
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The notion of directing a film is the invention of critics - the whole eloquence of cinema is achieved in the editing room.
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You have to understand that you are not making the film for yourself; you're making it for the audience. If I am asking my audiences to buy tickets, I owe them the worth of their money, and I owe them entertainment.
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Being in a Woody Allen film. I cherish it.
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Going to the movies was a big event in my youth. My father would be the initiator – he'd have me put on a jacket to see a film.
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Compared with other Indian film composers, I only write about six movies a year. Others write up to 60.
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All my brother Eliot and I did as kids was film sketches.
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My boy cousins used to sit my older brother and me down and take us through a film-studies course. It included 'Tremors', 'The Goonies', and, of course, 'Star Wars'. That was when it began: sitting cross-legged watching as the opening crawl goes up the screen.
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I've only used my own voice about four times on film.
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I love moments in film where there's no dialogue, and somebody communicates something with a look that kills you. That's why I love going to the cinema.
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When I do a horror or a fantasy film it all boils down to something in the script that surprises me. It could be a big thing or a small moment. If it's there I'll do it.
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With 'Girls,' it doesn't really feel like I'm doing TV specifically. It just feels like we're making a really long film.
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If a film is well made, then great, whatever it's about.
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I said to Martin Scorsese, 'When are you going to make another film with a woman at the center?'
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I think your behavior is different when you work on digital or film. It seems that... I feel most focused if I'm working on film.
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I had decided I wanted to write about food, and I knew the only way to do that is to speak with authority, which meant learning the language and knowing what that experience is like.
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From the very beginning, all of my films have divided the critics. Some have thought them wonderful, and others have found very little good to say. But subsequent critical opinion has always resulted in a very remarkable shift to the favorable. In one instance, the same critic who originally rapped the film has several years later put it on an all-time best list. But of course, the lasting and ultimately most important reputation of a film is not based on reviews, but on what, if anything, people say about it over the years, and on how much affection for it they have.
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Maybe it's a little ambitious of me to presume that no matter how big the film is, that I can always go down to the shop to buy a pint of milk.
