Alvaro Siza Vieira Quotes
There is always a conflict and that even increases as I get older. I have to be on my guard not to oversimplify things, but you can hardly deny that architecture is physical presence.
Quotes to Explore
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I believe that architecture is fundamentally a public space where people can gather and communicate, think about the history, think about the lives of human beings, or the world.
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The conflict between the creatures of Native Lore and the immigration of the European preternatural hosts is hinted at in 'Blood Bound' and reflects the conflicts between the human immigrants and the Indian people who were already here.
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The general public, formerly profoundly indifferent to everything to do with building, has been shaken out of its torpor; personal interest in architecture as something that concerns every one of us in our daily lives has been very widely aroused; and the broad line of its future development are already clearly discernible.
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If architecture is frozen music then music must be liquid architecture.
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Tel Aviv is new, built on the sand dunes north of Jaffa in the 1890s, about the same time Miami was founded. The cities bear a resemblance in size, site, climate, and architecture, which ranges from the bland to the fancifully bland.
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The development of the New Architecture encountered serious obstacles at a very early stage of its development. Conflicting theories and the dogmas enunciated in architects' personal manifestos all helped to confuse the main issue.
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I don't play the role of a villain, really, but I like playing anti-hero kind of roles. I like characters where there's conflict, drama, and more personal investment than just being heroes.
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People on both sides of any conflict believe they are right, whether it's on a TV show or in the real world.
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I've been trying to understand conflict and violence ever since I was a kid. You know. There were a few things that happened even on my block - the Black Panthers used to be right around the corner from where we were.
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Football is made up of all kinds of conflict. In a dressing room, between players, between us and the manager, between us and loads of people who don't seem to matter. It's constant and harsh sometimes.
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As a child, my father's architecture seemed to me to be industrial in a way. It seemed harsh and kind of chilly; I didn't respond to it.
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Vertigo is the conflict between the fear of falling and the desire to fall.
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In my experience, if you have to keep the lavatory door shut by extending your left leg, it's modern architecture.
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That's why I love crime novels so much: When I write a crime novel, the conflict is built in.
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Architecture is invention.
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I like conflict - someone who challenges me, someone who I can look up to, someone who can keep me in check. Love has to be extraordinary; otherwise, there's no point in it. I just haven't met anyone who's made me feel that way.
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I am a failed architect, if I'm honest. I got a degree in art history and was about to get another degree, in architecture, but realized I would be terrible at building things because I've got really bad spatial awareness.
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I think the artistic side of architecture was natural to me. My mother was an artist and a poet.
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I studied fine arts and architecture, but I decided to move into movie design because I grew up in a small town in the Marche region and spent a lot of time after school in the movie theater.
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I'm no longer afraid of conflict, and I don't think conflict is a bad thing.
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I first decided to become an actor at school. A teacher gave us a play to do and that had a major impact. At first, I wanted to work in the theatre, but there was something about the ambience of film, especially American films, that always attracted me.
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Everybody had their fans and they were fans of all of them.
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There is always a conflict and that even increases as I get older. I have to be on my guard not to oversimplify things, but you can hardly deny that architecture is physical presence.
