Alvaro Siza Vieira Quotes
The frenzy in New York does not lie in the architecture, but in the intersections between the buildings, the traffic, the innumerable things going on, the mixture of cultures. The architecture forms a solid and static foundation for all that speed. The tops of the skyscrapers are narrow and fantastic, but lower down they are sturdy and unambiguous.
Quotes to Explore
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The New York Times Bestseller 'The Amateur,' written by Ed Klein, former editor of the 'New York Times Magazine,' is one of the best books I've read.
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I went to college in Pittsburgh at Carnegie Mellon University... studied acting there. Then I went to New York for about five years. I moved out here about 10 years ago.
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Every person that's in the NBA should experience playing in New York at least once in their career.
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People are really talkative in New York. Someone always comes up to me and says 'Hi' during the day.
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I grew up about 60 miles northwest of New York, in Middletown, NY.
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I brought in a yogurt master from Turkey. I went to Greece. I was always going back and forth, from New York to Turkey and Greece. The recipe we use has been around hundreds and hundreds of years. Growing up in Turkey, not a day would go by that we wouldn't eat yogurt like this.
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My mother witnessed the martyrdom of her husband, Hajj Malik Shabazz, Malcolm X, on Sunday, February 21, 1965, at the Audubon Ballroom in New York City. My older sisters, Attallah, Qubilah and I were seated with our mother up front and stage right.
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The infrastructure we provide is the same in a remote town in Africa or New York or an archipelago in Sweden: we use the same system, and the chips inside the phone are the same.
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When I was in New York, the whole vibe was really just not matching with me. I was kind of super depressed in New York. It just had this vibe of 'Get out,' you know? I would try to get out, and we'd look back and just see the city and feel like, 'Oh, I have to go back to prison again.'
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Music, first of all, is completely about abstraction, which is exactly what architecture is not. In a way, it has been incredibly constructive to know what true abstraction is. So you don't fall into the trap of thinking that what you do is abstract.
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I refuse to do anything that would help Republicans win a Senate seat in New York, and give the Senate majority to the Republicans.
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I spent the first five years of my life in Punjab, India, and then moved to New York.
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I'm an immigrant kid who came to America from India when I was very young and grew up in New York City with a single mom and really was influenced by all of those immigrant cultures bumping up against each other.
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If you want to establish an international presence you can't do so from New York. You need the consecration of Paris.
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New York is rich in culture, cuisine, and commerce.
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If architecture is frozen music then music must be liquid architecture.
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I started as a model in Holland and Chanel took me to New York when I was 19, after which I decided to stay.
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My favorite thing about New York is the view, the skyline.
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I never had intention of coming to New York or L.A. and actually doing more than scraping by - you know, doing plays. And as my career sort of progressed of its own volition, I did come to New York.
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Architecture has the power to create order out of unholy confusion.
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When drawings of the main buildings I have designed in the last five years are juxtaposed, the fact that they all involve the pursuit of certain configurations is obvious to anyone.
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The theatre is a gross art, built in sweeps and over-emphasis. Compromise is its second name.
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Marathons are good training goals.
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The frenzy in New York does not lie in the architecture, but in the intersections between the buildings, the traffic, the innumerable things going on, the mixture of cultures. The architecture forms a solid and static foundation for all that speed. The tops of the skyscrapers are narrow and fantastic, but lower down they are sturdy and unambiguous.
