Adrienne Monique Jordan (Monique Coleman) Quotes
As an African American actress there are people who have been staples in my life that opened a door that I can walk through. I hope that I can have that impact.
Quotes to Explore
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If only one in 1,000 people that I talk to goes on to write a good book, that's one more good book that I've helped along... and maybe it will be a book I love myself five or 10 years down the line.
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I'm a man of different types of flavors and tastes. I like listening to things that inspire me. Older music, when instruments were being played, not just people hitting buttons. It's manlier. You're touching things to make sounds appear.
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I was 25 years old when I arrived in D.C. It was just myself and two people who worked and helped me in the kitchen. I was only cooking for three people most of the time.
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Religious beliefs are sacred to people, and at all times should be respected and honoured.
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I may be helping to bring harmony between people through my music.
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I used to sit in front of McDonald's and ask people for dollars to get me a cheeseburger. It was bad.
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It was easy to persecute me without people feeling ashamed. It was easy to vilify me and project me as a woman who was not following the tradition of a 'good African woman' and as a highly educated elitist who was trying to show innocent African women ways of doing things that were not acceptable to African men.
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You know, people call mystery novels or thrillers 'puzzles.' I never understood that, because when I buy a puzzle, I already know what it is. It's on the box. And even if I don't, if it's a 5,000-piece puzzle of the 'Mona Lisa', it's not like I put the last piece in and go, 'I had no idea it's the 'Mona Lisa'!'
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The atom bomb is a paper tiger which the United States reactionaries use to scare people. It looks terrible, but in fact it isn't.
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I like fearless characters, people just not afraid to do anything it takes to make people laugh.
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A first difficulty of the Arab movement was to say who the Arabs were. Being a manufactured people, their name had been changing in sense slowly year by year. Once it meant an Arabian. There was a country called Arabia; but this was nothing to the point.
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Irish history having been forbidden in schools, has been, to a great extent, learned from Raftery's poems by the people of Mayo, where he was born, and of Galway, where he spent his later years.
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People make me key chains... someone attached a Dauntless symbol to a silver pen. That one is what I use to sign books. I use that a lot. I like to keep them around because they remind me that people are waiting for these books and that they really love them. It gives me motivation in those times when I'm not feeling very motivated.
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Dealing with those personalities and the people who run this music thing has been most challenging. It's hard to really communicate things to people who run a business yet forget the nature of the business. They only look at the bottom line and the financial return, you know, they forget what it is they're packaging. It's art.
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I worked with fantastic actors, fantastic directors. People I would never otherwise have met. Was I limited? Yes. Did I use it as I could have? No. But I was always ambivalent about Hollywood and what I wanted. And ambivalence in our business is no good for success.
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People make music to get a reaction. Music is communication.
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I don't listen to music made by white people. I especially hate anything where a guitar is used. I don't listen to white people and guitars.
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I don't think I will ever write about politics or foreign policy. I feel like there is so much good writing in those areas that I have little to add. I also like to steer clear of writing about people whom I do not personally like.
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Certain kinds of people will always have an issue with my music. But that's fine; it's OK. I don't want to be the McDonald's of music. I don't want to not turn anyone off. If you were everybody's cup of tea, you'd probably be boring.
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The people that are closest to your heart are always the people who were with you when you had nothing.
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I didn't have the drive; I never wanted to be in show business. I went into my father's business because of osmosis.
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There were no vampires of note in Western literature until about the 18th century. But they tell us where we park our anxieties, whether its over-powerful women, death or damnation. We make our own monsters.
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As an African American actress there are people who have been staples in my life that opened a door that I can walk through. I hope that I can have that impact.
