William Weld Quotes
I extend that to the abortion issue, I extend that to the so-called gay rights issue, I think this is a freedom principle and consistent with the analysis in the economic area as well.
Quotes to Explore
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There's a fine line between genius and insanity. I have erased this line.
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My Alma mater was books, a good library... I could spend the rest of my life reading, just satisfying my curiosity.
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I don't think there's a perfect time to have kids. I think first you have to find the perfect person.
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It's still going on. I guess it will be until Redmond quits, dies or is jailed.
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Reason cannot calm the storm of emotion, and emotion usually wins, until it settles down and allows reason to rise again and apologize on behalf of it.
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I would like to do a period piece. I think that would be fun.
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My parents found what I was interested in and encouraged me. They didn't put me in front of a television and buy lots of toys, the way some American parents do.
Nastassja Kinski -
Oil is ancient wealth in the ground.
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I always take hundreds and hundreds of pictures. I used to work for 'National Geographic,' and they gave us a lot of film.
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I was always a writer – working on campaigns was never a profession for me. It was something I did on the side, really, so the trajectory hasn't been a political operative who likes to dabble in writing and finds himself into stumbling on film and TV – that was always my goal.
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In terms of number of movies, I've been in an extraordinary amount. If you count only the minutes I'm onscreen, it's not so long.
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It would appear that love is dead. Or very likely in a bad way.
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The Israeli public is frustrated with the way it is portrayed abroad.
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Fundamentalists are panicked by the apparent disintegration of the family, the disappearance of certainty and the decay of morality. Fear leads them to ask, if we cannot trust the Bible, what can we trust?
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I don't want to be submerged by depression.
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You've got to be yourself, and if you're not, you're a phony. It comes shining through if you're not careful.
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The current distribution model for movies, in the U.S. particularly, but also around the world, is pretty antiquated relative to the on-demand generation that we're trying to serve.
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I really think that as good of a job as you do as a writer, you're absolutely indebted to the actors that have to deliver that material.
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We got Sally Field onboard in Smokey and the Bandit and it changed the entire dynamic. About a third of the way into filming, I was in the car with Sally and there was this little moment where we kind of looked at each other, and then we both turned and looked over at Hal [Needham]. He gave us a thumbs up and said, "Yeah!" And we kind of knew there was some magic going on.
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It doesn't surprise me that aspect of the black nationalist movement, the cultural side, has triumphed because that is the aspect of the movement that was most commodifiable and when we look at the commodification of blackness we're looking at a phenomenon that's very profitable and it's connection with the rise of a black middle class I think is very obvious.
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Wherever I go, I bring the culture with me, so that they can understand that it's attainable. I didn't do it any other way than through hip-hop.
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Despite what people think, I was such a rule follower at school.
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When I start to write and record a track, I always think about where it is supposed to take place, what kind of room that is, and what kind of atmosphere it should have. Also how it should be performed, and by what kind of musicians or vocalists. I work in a very theatrically minded sort of way.
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I extend that to the abortion issue, I extend that to the so-called gay rights issue, I think this is a freedom principle and consistent with the analysis in the economic area as well.
