Mordecai Richler Quotes
If you're writing a novel, you're in a room for three or four years. There's not much coming in from the outside.
Quotes to Explore
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I tend to have a pattern of playing misunderstood characters.
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We're dealing with sophisticated customers. What's most important to these women is individuality. I have to create things she'll want to wear, no matter who she is.
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The training of younger generations is very close to my heart.
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Any time you get two people in a room who disagree about anything, the time of day, there is a scene to be written. That's what I look for.
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Your barber always knows everything that goes on in the town, doesn't he?
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The important thing is not what they think of me, but what I think of them.
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I started off singing in church as a child. The sound of voices coming together, that was my first moment of touching something outside of myself.
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I save everything. I have these carefully organized file boxes. Somewhere in there is a section of the 'New York Times' where I wrote 'The Border Guard' in the margin.
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If you hear me out, I believe you'll discover that what motivates me more than any other issue is the defense of everyone's rights.
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Part of what's so tricky in a film that's two hours long is how many themes can you effectively explore.
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I never wanted to be one of those actors with a political agenda.
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I had a lovely, feral, free childhood - out and then come back when you're hungry or it gets too dark. I feel slightly cruel that I'm not offering my children the same.
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Unrest of spirit is a mark of life.
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As a lot of the venture capital world seems to be shifting away from consumer, we want to make sure that consumer entrepreneurs know there's still money available.
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I am fascinated with religion or things that people believe in and question that. I think it's interesting.
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I don't try to be sexy, but I do want to look as good as I can.
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An American, a Negro... two souls, two thoughts, two unreconciled strivings; two warring ideals in one dark body, whose dogged strength alone keeps it from being torn asunder.
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I am putting every effort toward creating my works from morning till night on every single day.
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I grew up in an immigrant neighborhood. We just knew the rule was you're going to have to work twice as hard.
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Think 'Game of Thrones.' In the old days, this sort of show might be considered bad writing. It doesn't really seem to be moving toward a crisis or climax, it has no true protagonist, and it's structured less like a TV show or a movie than a soap opera.
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I get invited to do panels with other Brooklyn writers to discuss what it's like to be a writer in Brooklyn. I expect it's like writing in Manhattan, but there aren't as many tourists walking very slowly in front of you when you step out for coffee. It's like writing in Paris, but there are fewer people speaking French.
Colson Whitehead -
If I can't practice, I can't practice. It is as simple as that. I ain't about that at all. It's easy to sum it up if you're just talking about practice. We're sitting here, and I'm supposed to be the franchise player, and we're talking about practice. I mean listen, we're sitting here talking about practice, not a game, not a game, not a game, but we're talking about practice. Not the game that I go out there and die for and play every game like it's my last, but we're talking about practice man. How silly is that?
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If you're writing a novel, you're in a room for three or four years. There's not much coming in from the outside.
