Mose Allison Quotes
Quotes to Explore
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My parents were very permissive when it came to animals. As long as we earned the money to buy them and built whatever structure it was they were going to live in, we could have any kind of pet we wanted. They would have let us have a rhinoceros if we could have afforded it.
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I am now writing a book called 'Far Enough,' very loosely based on my childhood. This is difficult because it forces me to remember people I loved who are gone.
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When I hear someone, instantaneously, I'm like, 'Who's singing?' You're giving people so much of yourself, and my voice is the most natural, distinctive tool I have. It's up to me to express myself on a wider scale than just writing vocal melodies and lyrics.
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Talent will only take you so far, and it is your ability to feel the music and explore a movement that will bring you the greatest pleasure in dance.
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In 2004, I went onstage for the first time. They put a mike in my hand and pushed me out the door into the crowd. I did the three songs I had recorded and got out. It was the worst day of my life.
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Being taken seriously, for a young writer, is a wonderful form of encouragement, but at the same time, I don't think one should ever feel like attempting a kind of artistic endeavor is beyond your scope just because of age or inexperience.
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First and foremost, I look for a great script. Then, the team that I am working with. Only then, we will be able to come up with a good film.
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One of the strange things about violent and authoritarian regimes is they don't like the glare of negative publicity.
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Let's be honest, the physical attracts me first. Then if you get to know the man's mind and soul and heart, that's icing on the cake.
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Pairs skating and singles are two different things. Although some skaters have achieved this successfully, it is a very difficult transition. You're looking at double work.
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One thing that founders always underestimate is how hard it is to recruit.
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I think ballet has influenced my personality a lot in the sense that I am very disciplined in all of my endeavours. I am always on time; I take things very seriously. I've built up my inner strength and self-esteem over time as I've improved as a dancer.
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I really like children to watch my movies.
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My first priority is to my wife, as hers is to me, and to our child.
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Nothing ever turns out the way people expect it to.
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I think the worst thing that can happen to a good actor is fame.
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For 'Filth,' we had about 12 producers on the thing. The opening credits go on for months. Most of them are actually financers rather than producers. And the only way that we could raise the budget without interference from a studio was to have a lot of different financers on board.
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In England or America, actors do not have to cater to an image. In India, it is almost demanded of us. Very seldom do you get a film where you can walk away from your image.
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I select a very small number of things to be sceptical about, such as markets, and on these I am hypersceptic. But I want to be fooled by randomness in art. I want the ceremonial of religion; we are made for it.
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What we know is not capable of being otherwise; of things capable of being otherwise we do not know, when they have passed outsideour observation, whether they exist or not. Therefore the object of knowledge is of necessity. Therefore it is eternal; for things that are of necessity in the unqualified sense are all eternal; and things that are eternal are ungenerated and imperishable.
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My primary ambition is to be a fiction writer... Being a critic wasn't an aspiration of mine.
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Ultimately, making movies is a really, really small world. Being on sets and going to the same locations, like shooting in Shreveport, you're always working with somebody from another set that you worked with.
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The things that really matter don't mix with idle chatter.
