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This is the contradictory desire in our utopia. We want to live in a small community with which we can identify and yet we want all the facilities of the city of millions of people. We want to have very intense urban experiences and yet we want the open space right next to us.
Moshe Safdie -
I want my children to be able to meet and play and communicate with many other children on their own, not only when they are driven somewhere. I want them to grow up in an environment that is not just a place where people sleep but where people work.. and where people enjoy themselves.
Moshe Safdie
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Urban design as a discipline barely exists in most American and Canadian cities. In Singapore, there are innovative transportation strategies at work.
Moshe Safdie -
Performing arts buildings are complex. The acoustics, the sight lines and all that have to just be perfect. So you begin with just making these things sublime as musical instruments. And if you fail there, you have failed it all.
Moshe Safdie -
I think the general public's response to my projects is very strong. You can be an intellectual and say that popularity detracts from architectural quality. On the other hand, you can see in the public's identification something very positive.
Moshe Safdie -
There is a profound ethic to architecture which is different from the other arts.
Moshe Safdie -
I'm completely taken and impressed by the planning authority of Singapore and its Urban Redevelopment Authority (URA). It's the most cutting-edge agency in the world. They have very effective guidelines for development, and they review design as it evolves.
Moshe Safdie -
Beauty connotes humanity. We call a natural object beautiful because we see that its form expresses fitness, the perfect fulfillment of function.
Moshe Safdie