Andre Naffis-Sahely Quotes
Everyone wants to be open and inclusive, but nobody wants to pay for it. It's the biggest roadblock to translating living writers, especially poets.
Quotes to Explore
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Today, I guess I give a lot more thought to the roles before I sign them.
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I would not, under any circumstances, try to impose my personal faith and belief on the rest of the country. I don't think that's right. I don't think that's appropriate. But freedom of religion doesn't mean freedom from religion. And I think that anything we can do to promote the idea that people should express their faith is a good thing.
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I'm confident in who I am. I've come to a place in my life where I've accepted things that are me, as opposed to feeling pressure to explain myself to people around me. That's just the way I've always tried to be. It didn't change when I became a star.
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Ideas are elusive, slippery things. Best to keep a pad of paper and a pencil at your bedside, so you can stab them during the night before they get away.
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In many ways, our campaign this year will be the same as last time: We're still going to focus on fixing up basics and cleaning up ethics at City Hall.
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In my next life, I want to be a housecat. Naps all the time!
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I've always had an interest in vampire films - not just 'Nosferatu,' but there are many others that I have enjoyed: Abel Ferrara, Coppola, Neil Jordan.
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The Taliban is the Muslim version of the Salem witch trials.
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Literature adds to reality, it does not simply describe it. It enriches the necessary competencies that daily life requires and provides; and in this respect, it irrigates the deserts that our lives have already become.
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My parents aren't married. And one of the reasons why they never got married is because they had been married before, and they liked it the way it was. They didn't feel like they needed a piece of paper to be committed. So for me, I know that marriage is not a golden ticket.
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There are certain types of slightly hysterical human characters who, rather than creating, walk around with a sense of their own potential - it's as if they themselves were art objects. They feel as if their lives are written narratives, or pieces of music.
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Every single administration in American political history has put cronies and pals and donors into political positions. But normally those people become the ambassador to Liechtenstein or the deputy undersecretary of commerce.
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When you're looking through a magazine, you'd think every single person's a different person, but every third girl is actually the same girl in a different outfit and makeup.
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There are a lot of Christian fundamentalists; there are a lot of Muslim extremists. Every religion - Mormonism - has something way on the side that's completely using the religion as some weird backbone for their twisted faith. It has nothing to do with their religion.
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I try to play like I did when I was a young boy playing in my garden. Sometimes it's good, sometimes it's not so good, but I try to always make sure I give my best to help the team, even if I am not having the best game myself.
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I sort of always had an inkling towards some kind of an art form. I grew up in a very small town, and I just figure-skated. My dad played hockey and I was surrounded by sports, but it wasn't quite doing it for me. I wasn't totally fulfilled, and I did a lot of skating.
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We are all ruled in what we do by impulses; and these impulses are so organized that our actions in general serve for our self preservation and that of the race.
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I have vitamins I intend to take to be a better person. I even have a pillbox for them to remind myself to be healthier. But will I take them? Definitely not.
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I don't have the self-discipline for diets; I break rules I set for myself, so I try and eat more healthily, juice more, and avoid sugar.
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Science fiction is never about the future, in the same way history is rarely about the past: they're both parable formats for examining or commenting on the present.
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Does the owner of the restaurant own his restaurant? Or does the government own his restaurant?
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If you can't move the audience, they don't want you.
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Everyone wants to be open and inclusive, but nobody wants to pay for it. It's the biggest roadblock to translating living writers, especially poets.
