Andre Siegfried Quotes
Quotes to Explore
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Nietzsche claimed that his genius was in his nostrils and I think that is a very excellent place for it to be.
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Let us not be so naive as to think that revolution is just a matter of social or economic discontent.
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I like computers as a tool. I like them as an instrument. I think they're just pretty.
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Censure is a limp noodle across the wrist of the president. I think the way we vote on the articles will express the way we feel stronger than any censure vote.
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I like to think I'm a role model for women. But I also don't like to just limit it to women. I like to think I'm a role model for human beings in general.
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I think that a woman wears so many hats, we have so many aspects to us that we're not just one thing. We represent so much within us and that kind of comes across for me as a designer through mixing prints and colors.
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I think the mental victory is worth it as much as a gold medal.
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I think that ballet is very good for the body. It's very similar to yoga, because you have to hold a position.
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You can't try and make something you think someone else will like. You can only make what you like. How can you make a song that Yo-Landi Visser likes? You don't know me. You'll never understand me.
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I think that every so-called history book and film biography should be prefaced by the statement that what follows is the author's rendition of events and circumstances.
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I think marriage is a beautiful thing. I'm still a supporter of it.
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It's a lot of work and I also feel like I've done it. I miss comedy. And I also think that, from purely a logistical standpoint, that the day-to-day schedule on a comedy allows you to have a life, much more of a life, than on a drama.
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I think I'm developing a kind of subconscious loathing of the word 'franchise.' I just think of something that's packaged, something you can buy on a shelf and is immediately disposable. I don't know. It's a really weird word for me.
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I think I've written about family and things in 'Taipei' which could be considered Asian culture.
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Society exists only as a mental concept; in the real world there are only individuals.
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Instead of assuming that emotional intelligence is always useful, we need to think more carefully about where and when it matters.
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I think on a whole host of issues Washington tends to be a lagging indicator on public opinion.
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When I write for kids, I have to make sure they know what can't happen. They have to know it's a fantasy. But when I write for adults, they have to think it's real. Every detail has to be real or they won't buy it.
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I don't think the music that I do is nostalgic in any way; I don't think about going back to nice, old-fashioned music. I'm certainly influenced by old music, but I want to bring it slap-bang up to today.
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I was a screenwriting and studio art major in college, so even though I don't have any training as a floral designer, I have a very particular visual aesthetic.
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My main motivation is not to get bored. I'm just hoping I get a vaguely maverick reputation.
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I bought tiny infant onesies while still in college and compiled a killer toy collection throughout my 20s and 30s.
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A lot of my training is in classical theatre; I've done a lot of classical plays in New York and also at the Guthrie and here and there across the country.
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It is impossible to think of France except in terms of individuals.
