Val Kilmer Quotes
Quotes to Explore
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The first thing one must remember about film is that it is a young medium. And it is essential for every responsible artist to cultivate the ground that has been left fallow.
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There's nobody on this earth who can tell you that what you're feeling is wrong. They can tell you it's different to what they're feeling.
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When you've done a show that's as successful as 'Lovejoy' was, it hangs around for a few years, and people know you from it. I escaped the shadow when I stopped 'Lovejoy' by not doing any television for four years.
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We cling to our own point of view, as though everything depended on it. Yet our opinions have no permanence; like autumn and winter, they gradually pass away.
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Because there are so many shows on and because I've been so hands-on - I've had a piece on almost every single week - I don't know how to cut back on that. You really can't.
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Are we to paint what's on the face, what's inside the face, or what's behind it?
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As gun owners, my husband and I understand that the Second Amendment is most at risk when a criminal or deranged person commits a gun crime. These acts only embolden those who oppose gun ownership. Promoting responsible gun laws protects the Second Amendment and reduces lives lost from guns.
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I wasn't thinking of a sequel when I finished 'Life Class.' What changed my mind was the perception that the characters had a lot of life left in them, a lot of unresolved conflicts, and also I became interested in the Tonks pastel portraits of facially disfigured soldiers and in the whole area of facial reconstruction.
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Like brown rice, black rice is unmilled, and it is the dark outer husk that makes it so nutty and chewy. It's also why it takes longer to cook than many other rices.
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It was in 1969, and I thought, wow, you know, I really didn't want to do a TV series. You know, I had my own act, and I was performing in Vegas and doing all of these exciting things.
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I don't know what's going to happen in life, so I don't think it's fair that I know what's going to happen in 'Homeland.'
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It's a tough transition really for theater actors to adjust to television or film, and all of these years later, I still have a tendency to play it too big.
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Unlike some, I don't claim to hold the mystic key to the future. But judging from past events, it seems to me that those who want to prophesy the imminent end of America's unique global role have a harder case to make than those who think we will limp on for a while, making a mess of things as usual.
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Actions are always more complex and nuanced than they seem. We have to be willing to wrestle with paradox in pursuing understanding.
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I use the PhotoReady Foundation almost every day, and their lip glosses are fantastic.
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There's no safe Republican district. You can run, but you cannot hide.
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I get bored. We seem to have been having a little bit more time off this winter than last winter. I'm always itching to get back in the car. It's going to get harder, so I've got to make sure that I'm doing everything I possibly can do to make sure I can start next season how I ended this season.
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Bob Rubin was opposed to signing the welfare bill. He's not exactly what I call a flaming liberal.
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It's my approach as a filmmaker always to go in, not with a thesis or preconceived notion, but with curiosity and questions and inquiry. So in some way, I'm always surprised. I'm always finding paths of engagement.
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The love of a parent, that connection, it's eternal.
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We have been created for God and by God to transform the world around us.
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Acting is very immediate.
