Madalyn Murray O'Hair Quotes
I want a big man physically as well as intellectually. l want a man with the thigh muscles to give me a good frolic in the sack, the kind who'll tear hell out of a thick steak, and yet who can go to the ballet with me and discuss Hegelian dialectic and know what the hell he's talking about.
Quotes to Explore
-
I was shy. I was painfully shy, until fifth grade when I transferred to another school and befriended the class clown. And one day he was sick and I kinda stepped in for the class clown and I said, 'Wow, this is exciting, I'm a little bit nervous.'
-
Manhood coerced into sensitivity is no manhood at all.
-
We did a remake of Lost in Space. Filmed it in London for four months.
-
I don't want to say anything because I know I am unable to protect you from the harm that I see.
-
Whatever the price, identify it now. What will you have to go through to get where you want to be? There is a price you can pay to be free of the situation once and for all. It may be a fantastic price or a tiny one - but there is a price.
-
I did do some Shakespeare on film, it's really difficult. It's really interesting, because I was doing a series in Canada called 'Slings and Arrows' and it was about a company based around the Stratford Festival.
-
Every company has two organizational structures: The formal one is written on the charts; the other is the everyday relationship of the men and women in the organization.
-
And it just made me realize again because I have know it for some time, that you never get comfortable in this. No matter who you are. No matter who... how successful you are.
-
There's a molecule inside of you that is connected to everything - every person, every energy, every thing. You look for it, and when you find it, then you allow it to magnify and grow and be the dominating chemistry inside of you.
-
When I did 'Hot Fuzz,' I tried to get Barbara Steele in the movie, but I was told she had retired.
-
I've never been one to want to be the center of attention and be put up on stages every night. That's just not really my personality. I'm comfortable with it now, but my real passion is being creative.
-
This is not the first time in my life where you know going into a job that you're going to hear in stereo what was wrong with what you did.
-
I wanted to write a novel that would make others feel the history: the pain and fear that black people have had to live through in order to endure.
-
You can do the best research and be making the strongest intellectual argument, but if readers don't get past the third paragraph you've wasted your energy and valuable ink.
-
I represent celebrities, but I am not a celebrity.
-
The wisdom and experience of older people is a resource of inestimable worth. Recognizing and treasuring the contributions of older people is essential to the long-term flourishing of any society.
-
So, it looks like we rebuild the village and blow it apart a few more times.
-
Here in Denmark, you can easily just be left alone. This is my 'hood, and people leave me alone; it's nice.
-
We want to avoid creating this sort of inevitability that it's an all-or-nothing proposition that leads us down the path of a dead-end street. This package really does reflect, I believe, the more cautionary approach.
-
It is my view that Richard Clarke's testimony before the joint inquiry will shed light on the issues without compromising national security.
-
I was always trying to get people to fix things that are wrong. Now, it was, 'How do I make things that are going good go better?
-
The public is always good.
-
When I grew up, in Taiwan, the Korean War was seen as a good war, where America protected Asia. It was sort of an extension of World War II. And it was, of course, the peak of the Cold War. People in Taiwan were generally proAmerican. The Korean War made Japan. And then the Vietnam War made Taiwan. There is some truth to that.
-
I want a big man physically as well as intellectually. l want a man with the thigh muscles to give me a good frolic in the sack, the kind who'll tear hell out of a thick steak, and yet who can go to the ballet with me and discuss Hegelian dialectic and know what the hell he's talking about.
