Madalyn Murray O'Hair Quotes
I want a big man physically as well as intellectually. l want a man with the thigh muscles to give me a good frolic in the sack, the kind who'll tear hell out of a thick steak, and yet who can go to the ballet with me and discuss Hegelian dialectic and know what the hell he's talking about.
Quotes to Explore
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I was shy. I was painfully shy, until fifth grade when I transferred to another school and befriended the class clown. And one day he was sick and I kinda stepped in for the class clown and I said, 'Wow, this is exciting, I'm a little bit nervous.'
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Manhood coerced into sensitivity is no manhood at all.
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We did a remake of Lost in Space. Filmed it in London for four months.
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I don't want to say anything because I know I am unable to protect you from the harm that I see.
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Whatever the price, identify it now. What will you have to go through to get where you want to be? There is a price you can pay to be free of the situation once and for all. It may be a fantastic price or a tiny one - but there is a price.
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I did do some Shakespeare on film, it's really difficult. It's really interesting, because I was doing a series in Canada called 'Slings and Arrows' and it was about a company based around the Stratford Festival.
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Every company has two organizational structures: The formal one is written on the charts; the other is the everyday relationship of the men and women in the organization.
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And it just made me realize again because I have know it for some time, that you never get comfortable in this. No matter who you are. No matter who... how successful you are.
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There's a molecule inside of you that is connected to everything - every person, every energy, every thing. You look for it, and when you find it, then you allow it to magnify and grow and be the dominating chemistry inside of you.
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When I did 'Hot Fuzz,' I tried to get Barbara Steele in the movie, but I was told she had retired.
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I've never been one to want to be the center of attention and be put up on stages every night. That's just not really my personality. I'm comfortable with it now, but my real passion is being creative.
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This is not the first time in my life where you know going into a job that you're going to hear in stereo what was wrong with what you did.
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I wanted to write a novel that would make others feel the history: the pain and fear that black people have had to live through in order to endure.
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You can do the best research and be making the strongest intellectual argument, but if readers don't get past the third paragraph you've wasted your energy and valuable ink.
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I represent celebrities, but I am not a celebrity.
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The wisdom and experience of older people is a resource of inestimable worth. Recognizing and treasuring the contributions of older people is essential to the long-term flourishing of any society.
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So, it looks like we rebuild the village and blow it apart a few more times.
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Here in Denmark, you can easily just be left alone. This is my 'hood, and people leave me alone; it's nice.
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From an economic perspective, women are treated unfairly: they perform 66 percent of the world's work and produce 50 percent of the food but they only earn 10 percent of the income and own 1 percent of the property.
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I was involved with some great things in television that I could never have done in film.
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Hemingway is terribly limited. His technique is good for short stories, for people who meet once in a bar very late at night, but do not enter into relations. But not for the novel.
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It's always nice when people appreciate your work because it means you've affected them, which is great. And so that feels good.
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Find the good. Seek the Unity. Ignore the divisions among us.
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I want a big man physically as well as intellectually. l want a man with the thigh muscles to give me a good frolic in the sack, the kind who'll tear hell out of a thick steak, and yet who can go to the ballet with me and discuss Hegelian dialectic and know what the hell he's talking about.
