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In the war on terrorism, the immigrant is often the scapegoat.
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When a well-rounded character takes over, he doesn't lecture you about his history and how he is misunderstood. He lives his life, does things that are unexpected, and makes you laugh and cry because of his human flaws and foibles.
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That experience of losing home, longing for home, that yearning for meaning and rootedness and identity in a floating world, it's what often makes an immigrant story into an American story .
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Today, more people are crossing various borders in order to survive, thrive, change their lives. Even if you don't cross the border, with demographic shifts, the border sometimes crosses you.
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America's story is largely an immigrant story. That hasn't changed since the Pilgrims ate their first turkey some four hundred years ago, and they were the original boat people.
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I think in a larger sense, immigrant narrative is comprehensive and speaks to the core of human experience.
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I always say that writing non-fiction versus writing fiction is a bit like architecture versus abstract painting.
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The collection is a labor of love and devotion, and whenever I found free time from my journalism work, I'd work on one story or another, or at least sketch out my characters, and research various issues related to my characters' dilemmas.
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Art is the lesser sister to medicine. It aims to heal.
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In non-fiction you have to stay true to historical events, be they personal or national .
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Where are the leaders who can speak to the idea that it is not alien to American interests, but very much in our socioeconomic interests - not to mention our spiritual health - to integrate immigrants, that our nation functions best when we welcome newcomers and help them participate fully in our society?