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When a well-rounded character takes over, he doesn't lecture you about his history and how he is misunderstood. He lives his life, does things that are unexpected, and makes you laugh and cry because of his human flaws and foibles.
Andrew Lam -
In the war on terrorism, the immigrant is often the scapegoat.
Andrew Lam
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That experience of losing home, longing for home, that yearning for meaning and rootedness and identity in a floating world, it's what often makes an immigrant story into an American story .
Andrew Lam -
Today, more people are crossing various borders in order to survive, thrive, change their lives. Even if you don't cross the border, with demographic shifts, the border sometimes crosses you.
Andrew Lam -
America's story is largely an immigrant story. That hasn't changed since the Pilgrims ate their first turkey some four hundred years ago, and they were the original boat people.
Andrew Lam -
I think in a larger sense, immigrant narrative is comprehensive and speaks to the core of human experience.
Andrew Lam -
I always say that writing non-fiction versus writing fiction is a bit like architecture versus abstract painting.
Andrew Lam -
The collection is a labor of love and devotion, and whenever I found free time from my journalism work, I'd work on one story or another, or at least sketch out my characters, and research various issues related to my characters' dilemmas.
Andrew Lam
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In non-fiction you have to stay true to historical events, be they personal or national .
Andrew Lam -
Art is the lesser sister to medicine. It aims to heal.
Andrew Lam -
Where are the leaders who can speak to the idea that it is not alien to American interests, but very much in our socioeconomic interests - not to mention our spiritual health - to integrate immigrants, that our nation functions best when we welcome newcomers and help them participate fully in our society?
Andrew Lam