Andrew Ripp Quotes
Singing always came naturally but the writing side is something I have always had to work hard at to get from good songs to great songs.
Quotes to Explore
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The minute I stop singing orally, I start to sing by playing Lucille.
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Singing is something I can do, but it's not my first passion.
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Normally, most writers don't say, 'I'm going into a mild hypnotic trance.' Typically, they don't know how they do it. Most people, when they have a good experience writing, they're well placed in that state, which is also sometimes called a 'flow state.' If you don't have trouble, you don't have to think about it.
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When I was writing 'The Windup Girl' and 'Ship Breaker,' I was writing those simultaneously, so I was an unpublished writer, not really having that full sense that these books would go out in the world, that they would be successful, that there would be an audience and that there would be fans of those stories.
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Writing for the theater, you find yourself living a nocturnal life.
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I've been writing about my boyhood, when I was a little kid back on my grandfather's farm where we didn't know about black widow spiders or all that stuff. But writing about that is so easy.
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When you're writing, you are robbed of your delivery.
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I missed singing. I missed performing in a nightclub.
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You could take away the singing, and I am fine. But don't take away my gift of writing. It is the best way I can relate and express what I am feeling and what I am going through.
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Arendt did have a certain snobbishness, though in some of her writing she expressed more democratic attitudes.
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I've always been singing all my life, but I started playing guitar when I was 19, and that was my final year in university, in law school. I think that happened when I started making a lot of friends who were in the independent music scene.
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I am writing to all the churches to let it be known that I will gladly die for God if only you do not stand in my way... Let me be food for the wild beasts, for they are my way to God.
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My daughter loves singing above all else.
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I started learning everybody's riffs, from Donny Hathaway to Jeffrey Osborne to James Ingram. That helped me create my own style of singing.
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When I began writing science fiction in the middle '60s, it seemed very easy to find ideas that took decades to percolate into the cultural consciousness; now the lead time seems more like eighteen months.
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I was already writing 'The Lost Symbol' when I started to realize 'The Da Vinci Code' would be big. The thing that happened to me and must happen to any writer who's had success is that I temporarily became very self-aware.
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I think without writing I would feel completely useless.
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When I write, I don't allow the fear of consequences to interfere with the writing process. I have in the past paid for my commitment to the truth and the way I live my life. I am prepared to pay more if I have to.
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Real lobbying reform must end the practice of corporate lobbyists writing our laws.
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I was just trying out and having some fun. I don't think I'd want to pursue singing as a career; it's an on-the-side thing. It would be great if I could make a career out of it but if I can't, that's OK too.
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I grew up in a place where everybody was a storyteller, but nobody wrote. It was that kind of Celtic, storytelling tradition: everybody would have a story at the pub or at parties, even at the clubs and raves.
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I would like to believe every man is a one-woman man.
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Singing always came naturally but the writing side is something I have always had to work hard at to get from good songs to great songs.
