Ibrahim Babangida Quotes
A society that does not correctly interpret and appreciate its past cannot understand its present fortunes and adversities and can be caught unawares in a fast changing world.
Quotes to Explore
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I want to be an animated character. I'm also doing more writing and directing.
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One of the last books I read was 'Game Change: Obama and the Clintons, McCain and Palin, and the Race of a Lifetime' by John Heilemann and Mark Halperin. It gives a really good behind-the-scenes look at the campaigns. I didn't ask the president how accurate it was. I wouldn't ask him that.
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I always enjoyed movies and in hindsight I realise how captivating they were to me.
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I have in sincerity pledged myself to your service, as so many of you are pledged to mine. Throughout all my life and with all my heart I shall strive to be worthy of your trust.
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We must plan for freedom, and not only for security, if for no other reason than that only freedom can make security secure.
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I think one of the great things about being a musician is that you never stop learning.
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If I don't write down a thought - or an image or a line of poetry - the instant it comes to mind, it vanishes, which explains why I have pens and notebooks in my pants and coat pockets, the car, the bicycle basket, on one or two desks in every room including bathrooms and the kitchen.
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You always need that spark of imagination. Sometimes I'm midway through a book before it happens. However, I don't wait for the muse to descend, I sit down every day and I work when I'm not delivering lambs on the farm.
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Getting pummelled is better than not playing anything at all.
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The fact that Western Muslims are free means that they can have enormous impact. But it would be wrong to claim that we are imposing our ways on the West. New ideas are now coming from the West. To be traditional is not so much a question of protecting ourselves as to be traditionalist in principle.
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My mind boggles at the amount of violence inflicted upon children in today's society.
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I don't know how to make Harper and Alloy want me, not just my name.
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Initially, it would bother me when filmmakers, script writers, dialogue writers and choreographers tried to recreate a bit of my dad though me.
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It's just someone has labelled us as having a different label to do what you do. I find that labels are the worst thing in the world for artistic expression.
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I like being unconventional.
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We who curate our Twitter feeds and Facebook walls understand that at least part of what we're doing publicly, 'like'-ing what we like, is trying to separate ourselves from the herd.
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I think I happened to work with sort of a bunch of slightly difficult male directors when I was a kid. I've since worked with lots of male directors that I love, so I no longer see the distinction gender-wise.
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Around here, manana seems to be the busiest day of the week. We never seem to get there.
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I try to apply colors like words that shape poems, like notes that shape music.
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I think that one of the most fundamental responsibilities is to give testimony in a court of law, to give it honestly and willingly.
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The joy of a period film is that you're taken to another world. The costumes determine the way you move, and then consequently the way you breathe. And then, the way you breathe effects the way you think.
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We are somehow the children of the planet, we are somehow its finest hour; we bind time, we bind the past, we anticipate the future - we are going hyper-spatial; we are claiming a whole new dimension for biology that it never claimed before. We are actually becoming a fourth-dimensional kind of creature. Our future is somehow with us, as we seem to be able to move through metamorphosis into our own imaginations - a super civilization spread throughout space and time. Our future is a mystery, our destiny is to live in the imagination.
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A society that does not correctly interpret and appreciate its past cannot understand its present fortunes and adversities and can be caught unawares in a fast changing world.
