Yehudi Menuhin Quotes
I still look to music to heal and bind; I still think the musician can be a trusted object offering his fellow-man solace but also a reminder of human excellence.
Quotes to Explore
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The more I go on in this career of making albums, writing songs and playing music, the more I think of each album as a movie. I really wanted to make a film, but making a film is much more expensive than making a record.
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When I'm on stage, I know exactly where I am. It's not an ego thing or anything like that, but I am more in my body and aware of myself and aware of what I'm doing, and I feel more from that, from sharing the music.
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But Buddy was an upper. He was happy. He loved music, and he was really happy. I don't know... I don't believe in reincarnation at all, but if all that stuff is true, then he might have been on his last time around.
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The idea of music is to liberate the listener and lead him to a frame where he feels he is elevated.
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The music comes through me, and I let it come the way it comes, and it shapes itself. I just hold space for it. I don't intend to write it for a purpose, but it comes as it comes and am proud of the way it can support change because I believe strongly in what I sing about.
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I feel that Christian music is a subculture directed towards the Christians. It's not really being exposed to non-Christians and it's not really created for non-Christians, so non-Christians almost never hear any of this music.
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Therefore let men withdraw themselves from errors; and laying aside corrupt superstitions, let them acknowledge their Father and Lord, whose excellence cannot be estimated, nor His greatness perceived, nor His beginning comprehended.
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Music history has flowed under the bridges for many years.
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Music is the best means we have of digesting time.
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Artistic development made me who I am. Somebody took the time to help me find what it is that works for me as an entertainer and who I am as a music maker.
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My music is a little dark, and my lyrics are a little darker. Every day, I'm fighting towards the light.
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I first fell in love with music when I was a little boy. When I first heard music, I felt the beauty in it. Then, being able to tap along on a table top and box was great, but my favorite thing to do was to watch records spin. I would almost get hypnotized by it. These things are what drew me in initially.
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Taxi drivers used to ask me what kind of music I did, and I'd say, 'Well, it's kind of jazz, soul, classical' - but that makes no sense to anyone.
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A composition is always more than the sum of its parts. In other words, a really good piece of music is more than itself. It's sort of like a prism, which you can see from each facet a single totality.
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I done made music with Makonnen, Frank Ocean. We all make great music.
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Music can be made anywhere, is invisible and does not smell.
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I've been a big Bob Marley fan forever. Forever. Like big, huge. Bob Marley and the Beatles, that's my big, giant music influence. I can listen to them all the time.
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The thing with me is, about that - about rock and all that - years and years of crate-digging, listening to old music, you kind of start to connect the dots. And I was seeing the thread that was connecting everything together, which is pretty much the blues. And everything soul or funk kind of starts with that.
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I grew up with my little brother, and we were raised by my grandmother. I was an insider for real. I stayed in the house a lot, writing songs or playing video games, watching TV, or chilling with my girlfriend. It wasn't until 9th grade that I got into music. This guy in school heard me singing around the hallway to girls and stuff.
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Growing up, I didn't really like folk music - I wasn't a fan of Bob Dylan. I grew up mostly listening to rap and hip-hop; it was this new form of music.
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Music has always been something I wanted to do. I think just the idea of performing and entertaining and being in the studio is really what I wanted to know how that felt. I started to get into it around the same time I got into acting, but it turned into a side project because my movies were taking up most of my time.
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The mind when it has an old experience will add that data into its current experience, and it keeps coming up with wrong answers.
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Something that happens to me is that I'll write a play specifically from my own experience, and then I'll inevitably be told that I'm being tunnel-visioned about it. People always ask, 'What about that other race? Or discrimination toward those people?'
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I still look to music to heal and bind; I still think the musician can be a trusted object offering his fellow-man solace but also a reminder of human excellence.
