K. D. Lang Quotes
Quotes to Explore
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Along with 'Free,' where I sing quite a bit, there are additional songs on 'Skin' where you can hear my voice in the background - lots of 'oohs' and 'aahs.' But more often than not, I use my vocals to prompt other rappers and singers to feel calmer, better, bolder.
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We worked on solving the problem of voice communications in a noisy military environment. We established military codes that are highly audible and invented selection tests for personnel who had a superior ability to recognize sound in a noisy background.
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When I sing, people shut up.
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High fashion has become representative of stability in unstable places; that allows you to have a voice in the world stage.
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What a liberation to realize that the 'voice in my head' is not who I am. 'Who am I, then?' The one who sees that.
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I didn't really like my Sydney accent - nobody likes the sound of their own voice - and when I was a little younger tried to change my accent gradually. But I've only ever really lived in Sydney and Los Angeles, so I haven't been influenced by the accents of some far-off land.
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I think my mom exposed me to the concept of using your voice for anything you care about.
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I sing around the house, in the shower.
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My voice hasn't changed really very much. I still do all my songs when I perform live and still do them in the original keys. I've been blessed with that ability to retain that.
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Even when things are at their worst, there's a little voice in your head saying, 'Good story!'
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I'm an old spirit, and my voice tends to be kind of heavy and loud. I've been referenced as 'a young Aretha.'
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You got to have smelt a lot of mule manure before you can sing like a hillbilly.
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The songs I love to sing are story songs, from Yiddish songs to Tom Waits.
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I celebrate myself, and sing myself.
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Take off your bedroom slippers. Put on your marching shoes,' he said, his voice rising as applause and cheers mounted. 'Shake it off. Stop complainin'. Stop grumblin'. Stop cryin'. We are going to press on. We have work to do.
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As cliched as it sounds, if you have an original voice and an original idea, then no matter what anybody says, you have to find a way to tell that story.
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My uncle is so funny - Don Vito. He was always fat with the craziest voice. Dude, he barely speaks English; it's just full-blown jibber-jabber. It's so funny to watch on TV because you really need subtitles because you can't understand him.
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The people of the Fifth District of Louisiana need and deserve a voice in Washington.
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The whole point of the punk-rock thing was that "We're not special. We just have a voice."
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I guess there was a little bit of a slight rebellion, maybe a little bit of a renegade desire that made me realize at some point in my adolescence that I really liked pictures that told stories of things - genre paintings, historical paintings - the sort of derivatives we get in contemporary society.
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The president overstepped his authority when he asked the NSA to eavesdrop on Americans' international phone calls without obtaining a warrant.
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Detestation of the high is the involuntary homage of the low.
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Digression is my passion. I love telling the main stories, but in some ways, what I love most is using those narratives as a way of stringing together the interesting stories that people have kind of forgotten, and that are kind of surprising. The problem is, how do you pare stories away so that the book doesn't become a distracting jumble of material, and readers lose focus? In my experience, there's really only one way to do that. I pack it all in with the rough draft, then count on myself and my trusted readers to tell me what's good and what's not good.
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I don't sing anything that hurts my voice.
