Trenton Lee Stewart Quotes
Quotes to Explore
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It's been tough for me being away from the game.
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We tend to talk about death as if it is losing a battle, but that assumes living is winning and dying is not.
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I think, for the majority of my twenties, I was always so concerned with what I didn't have, or what I still wanted.
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One of the strangest aspects of living with certain kinds of memory loss is knowing that the forgetting is happening.
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I write almost entirely in bed or on a couch with my feet up on the coffee table. I feel most creative when I'm looking out the window, and my bed and couch have nice views of the New York skyline.
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Football has an important role to play in society. Players should have a sense of social responsibility, have a moral dimension to them which shows up in good conduct.
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It makes me forget that I'm not going to be a major star and lead female in films whether it was 20 years ago, 10 years ago, five or in the future.
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Enjoy every sandwich.
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A lot of producers now are people who stay in their office and never go to the set. I don't know how you can be the advocate of the movie if you're not there in it every day.
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I think there are more female characters in videogames now but I also think that's because videogames in general are more diverse now.
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Since I have been singing for so many years, I don't always need to approach a song quite so laboriously and meticulously.
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My very first job was a cashier at Burger King in Tucson, Arizona. And I occasionally worked the drive-thru. I'd go wherever I was needed! My second job was at Dairy Queen. I stayed in the fast food royalty.
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Twitter has been a godsend for travelling.
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Men are my bread and butter. It's what I live for! I have no shame about that.
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I first thought about becoming a writer after the age of 30, which is rather late, I'd say. In my 20s, I wasn't especially good at anything, and I didn't have a lot of experiences. I was just a young woman without a good job.
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I'd love to have kids, but not at the moment.
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War will pass when injustice passes. Never before, unless hope leaves the world.
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Alberto Giacometti in: Peter Selz, Alberto Giacometti. Museum of Modern Art in collaboration with the Art Institute of Chicago and others, distributed by Doubleday, 1965. p. 20
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In October 1920 I went to Leeds as Reader in English Language, with a free commission to develop the linguistic side of a large and growing School of English Studies, in which no regular provision had as yet been made for the linguistic specialist.
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I was getting in trouble at school. I wasn't happy. The school was very much a school that created people for commerce and it wasn't an arty school.
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My restaurants are never opened on Thanksgiving; I want my staff to spend time with their family if they can. My feeling is, if I can't figure out how to make money the rest of the year so that my workers can enjoy the holidays, then I don't deserve to be an owner.
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It was in a mist the Tuatha de Danaan, the people of the gods of Dana, or as some called them, the Men of Dea, came through the air and the high air to Ireland.
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I didn't want to just be another girl singer. I wanted there to be something that set me apart.
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Rules and school are tools for fools! I don't give two mules for rules.