Nelson Rodrigues Quotes
Quotes to Explore
-
What other grown-up gets told how to do their job so often as a writer?
-
I get intrigued by a first lin and I write to find out why it means something to me. You make discoveries just the way the reader does, so you're simultaneously the writer and the reader.
-
The lens of contract focuses predominantly on gains from trade whereas orthodoxy is focused on resource allocation.
-
I've basically worked as a journalist and a writer.
-
I always knew I wanted to be a writer. I just wasn't sure what I wanted to do as a money-making job.
-
I was a writer for hire. I wrote to pay the bills.
-
Well I could have been just a writer. I had been a hair dresser. I could have stuck with that.
-
If a writer doesn't generate hostility, he is dead.
-
A writer has to live with a sense of honor.
-
I was just as voracious a writer as I was a reader.
-
Every writer uses his own way to motivate oneself.
-
When you've finished reading every last thing by a famous writer, literary convention holds that you move on to his or her letters, the DVD extras peddled by publishers.
-
There are three things that make a person a writer: inspiration, perspiration and desperation.
-
I'm not a great writer.
-
If you are a good writer - and I think I am - you are able to handle any kind of group and imagine their lives.
-
When I was a little boy, they called me a liar, but now that I am grown up, they call me a writer.
-
I didn't know how to be a writer. But I thought, 'I can do this.'
-
I don't look at myself as a writer; I am a storyteller.
-
When somebody asks what I do, I guess I say 'writer' first.
-
I never did write a biography, and I don't exactly know how to set about it; you see I have to be accurate and keep to the facts, a most difficult thing for a writer of fiction.
-
Check your testosterone levels. Every study on evolutionary psychology has correlated testosterone levels with dominance.
-
Love doesn't hurt so I know I'm not falling in love I'm just falling to pieces.
-
Theater is about interpretation and what an actor and what a director brings to a piece too. I'm open to it every time I work with a director and a group of actors. I have to be open to that interpretation. I'm not one of those hysterical playwrights that come and say, "This is not what I intended to do." It's one rendition of the piece.
-
The keyhole is my lens as a writer.
