Nelson Rodrigues Quotes
Quotes to Explore
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When I talk to young girls about clothes, I tell them to show a lot of brains.
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From when I was young, I wanted to be an action hero. I always dreamed about being an action star. So finally, I made it.
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I allow myself to fail. I allow myself to break. I'm not afraid of my flaws.
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When I was a young boy, I was obsessed with skulls and mummies and things like that.
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When you have a core group of young players as we do, the future looks bright.
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The trouble with young writers is that they are all in their sixties.
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There are many reluctant young readers who haven't yet found books that make them laugh.
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Go West, young man.
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One of the virtues of being very young is that you don't let the facts get in the way of your imagination.
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I met in the street a very poor young man who was in love. His hat was old, his coat worn, his cloak was out at the elbows, the water passed through his shoes, - and the stars through his soul.
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I can say I love working with women. Film is a man's world, and I really appreciate the opportunity to collaborate with women, especially young women.
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I was always falling in love at a very young age - kindergarten is when I can remember. There was always a crush. And when I was in sixth grade, I started picking up guitar, so I started wanting to write about it and sing about it.
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I came to Hollywood determined to follow in Jean Harlow's footsteps, but I was determined not to die young. My hope was to endure. And endure I have.
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I was very young during 'Chachi 420' and don't remember much now.
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As the years passed in my village, I witnessed poorly educated young men leaving to seek the greater comforts and liberations of big cities. I would see them on my visits to Delhi.
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Young readers are the most challenging, demanding, and rewarding of audiences. Adults often ask why I write for the younger set. My reply: 'I can't think of anyone I'd rather write for.'
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Konosuke Matsushita was a visionary entrepreneur. He started working very young as a teenager, and he eventually created Panasonic to become a truly global company.
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To me the interesting main character is never the one without flaws.
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Young people who have no future will easily give up their future, which they can't see on the horizon.
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You can find flaws in Agassi and Sampras, but Federer has none.
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Do you know what the key to comedy is? Timing.
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I throw as hard as I can when I think I have to throw as hard as I can.
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The young have all the same flaws adults do. Plus one: immaturity.
