Barbara Hamby Quotes
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Cynie Cory roams the outer reaches of the heart’s territory, from the snowy winter of family life to the tropical jungles of love. She wears her heart on her sleeve and it is as big as the country she writes about. Is she the quintessential American girl? You bet she is, part Annie Oakley, part Emily Dickinson – harpshooting poet of wild nights. She zooms in on the detritus of love – the broken fragments, the fallen leaves – and puts together a collage that is as heartbreaking as it is beautiful. Watch out – she’s driving down your street.
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I guess it was easier for me to find my voice in poetry than it was in fiction. I'm working on fiction again, and I find it a lot more difficult. It's a struggle. At a certain point, you have your voice and you go to it every time, so it's not like reinventing the wheel. That's the way I see it at least.
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I don't know anything about chemistry, but I know that there's a whole world of chemistry, of professional chemists. They have their prizes, they have their publications, they have their work. Just because I don't know about it, doesn't mean that it doesn't exist. A lot of people say, "Isn't poetry in trouble today?" Or: "Nobody really reads poetry anymore." And I say, "You're crazy." There's a huge world of poetry out there. You may not know about it, but it's there.
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You want to make a representative selection, but at the same time, you want to give a sense of the whole project. I have this big conflict in my writing life that I'm trying to work out all the time.
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For 2,500 years, people have been writing odes. Why? I think that there's something innately human in wanting to praise the world even though it's disappointing in so many ways. There's always that tension.
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When I was a young woman, I had this friend who was really beautiful, and she would talk about how she was losing her looks, that she wasn't as pretty as she once was. She was gorgeous, and I thought, I'm going to stop this bad habit of self-criticism that I think a lot of women get into. You make a choice to be different.
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One of my problems with religion is that it's limiting in so many ways. I remember the first time I took a humanities class, I thought, I can't believe this. This is fantastic. This is what I want my life to be. When I was a young person, I did a lot of dabbling in Eastern religions, and it was very satisfying in some ways, but there's that limitation always, which I find myself bridling against.
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If someone didn't believe in me that would kind of be a compliment in a way.
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One of things I write about a lot is the role of women. An older friend of mine said that she feels like there's always a tension between wanting to be free and wanting to be cherished. I think that's one of the things that my whole book speaks to, wanting to break out of the confines of the roles that are prescribed for women and yet at the same time, not wanting to be totally free. You want to have intimate relationships. It's that bursting out of confinement.
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I've been writing fiction as long as I've been writing poetry. It's just that the poetry took off, and it took me a lot longer to figure out how to write a story.
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I was raised in a strict fundamentalist household, and I always say that gives you a muscle of belief. I want to believe in something, but I don't believe in what my parents believed in. Poetry has taken the place, or I think the arts have taken the place, of religion in my life. I wanted to see how that was working out through the poems.
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Everybody spoke English in my class, and they would turn to me and say, "What's going on in your country?" I would try to explain to Austrians, Poles, Australians, Israelis, Costa Ricans - people from all over the world - what was going on in our country. I would have to say, "I don't know what's going on, either. It's pretty evenly divided in our country. Sometimes one part's on top, and other times, the other faction is on top, and right now it's just crazy. We hate it as much as you do."
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Travel is something that I like to do because it gives you lots of images, and it also really makes you think about your own place in the world in a very different way.
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I was born in New Orleans, but I grew up in Hawaii. That was a paradise. That's a paradise I keep inside of me all the time. It's funny, I don't really write too much in poetry about Hawaii, but I published a book of stories a couple of years ago.