Barbara Marx Hubbard Quotes
Our media, which is like a planetary nervous system, are far more sensitive to breakdowns than to breakthroughs. They filter out our creativity and successes, considering them less newsworthy than violence, war, and dissent. When we read newspapers and watch television news, we feel closer to a death in the social body than to an awakening.
Quotes to Explore
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I'm a student of the movies. I'm a student of all media. This is what I do, and I like to immerse myself in what's current and what's topical. And I find that I'm drawn to those things.
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In fact, for all kinds of offenses - and, for no offenses - from murders to misdemeanors, men and women are put to death without judge or jury; so that, although the political excuse was no longer necessary, the wholesale murder of human beings went on just the same.
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Horror and panic themselves are forms of violence, and diminishing them, restricting their dimensions, is itself a civilizing act.
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I think the mythology of death really ran away with me when I was very young.
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The comfort zone is the great enemy to creativity; moving beyond it necessitates intuition, which in turn configures new perspectives and conquers fears.
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I don't know if my work is a concerted effort to make kids sad! But life and death go hand in hand. It's our condition as human beings.
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Because success is such a weasel word anyway, it's such a horribly American word, and it's such a vamp and, I think it's a death trap.
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Love and death are the two great hinges on which all human sympathies turn.
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Death does not exist.
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From an early age I didn't buy into the value systems of working hard in a nine-to-five job. I thought creativity, friendship and loyalty and pushing the boundaries of what was acceptable was much more interesting.
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I'm not supposed to be able to speak clearly, and decipher what's going on in the media. I'm supposed to be the typical amateur who's 22 and scared to death and can't believe he won the Olympics.
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A person is born with feelings of envy and hate. If he gives way to them, they will lead him to violence and crime, and any sense of loyalty and good faith will be abandoned.
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Non-violence requires a double faith, faith in God and also faith in man.
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'What do we know? What do we really know? He licks his dried cracked lips. We know this apodictic rock beneath our feet. That dogmatic sun above our heads. The world of dreams, the agony of love and the foreknowledge of death. That is all we know. And all we need to know? Challenge that statement. I challenge that statement. With what? I don't know.'
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When it gets down to having to use violence, then you are playing the system’s game. The establishment will irritate you – pull your beard, flick your face – to make you fight. Because once they’ve got you violent, then they know how to handle you. The only thing they don’t know how to handle is non-violence and humor.
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I also believe that US backing for Israeli policies of expansion of the Israeli state and oppression of the Palestinian people is the major cause of bitter division and violence in the world.
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It's hard for me to get interested in stories that ignore death, which is what American marketing culture would like to do: pretend that death doesn't exist, that you can buy immortality; just buy these products, and you'll be forever young and happy.
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Death isn't a funny thing. We're all lucky to be living.
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When I was a kid... I needed to belong.
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This is technology that will not go away. And to risk it moving into the hands of a terrorist group like al Qaeda or to other focused enemies of the United States, would have tragic consequences.
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I wrote the song For A Dancer for a friend of mine who died in a fire. He was in the sauna in a house that burned down, so he had no idea anything was going on. It was very sad.
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Vampirism, for me, was a way to live in fantasy and have superpowers, but not just in a really perfect, happy, everything is great way. It's superpowers with a cost. It's having to be the villain, and what do you do about that.
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Our media, which is like a planetary nervous system, are far more sensitive to breakdowns than to breakthroughs. They filter out our creativity and successes, considering them less newsworthy than violence, war, and dissent. When we read newspapers and watch television news, we feel closer to a death in the social body than to an awakening.
