Jack Vance Quotes
How to know, oh how to know! All is relative ease and facility in orthodoxy, yet how can it be denied that good is in itself undeniable? Absolutes are the most uncertain of all formulations, while the uncertainties are the most real...
Quotes to Explore
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It's interesting that one of the definitions of the word 'human' is 'sympathetic.' More and more people are beginning to show that they understand why that is important.
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Everything with Marvel is on a need-to-know basis, so I didn't officially know until the second episode I did, which I think was the 10th episode in the season. Information is carefully guarded over there. I definitely didn't know that I was 'Deathlok.'
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It's great when a director like Cameron Crowe can take what you do and fit it into what he's doing. If someone's a fan of you already, they can take what you do and make it work for what they're doing. You don't know their vision, and you're thinking, 'How is this guy going to take what I do and make it work in this movie?'
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I can't take the theater side out of myself.
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One of the biggest problems with the modern feminist movement is its failure to bring men along with us.
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'Saving Grace,' even though fictionally it was set in Oklahoma, we shot it right outside of L.A.
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More gold has been mined from the thoughts of men than has been taken from the earth.
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It's nice for me to be in touch with a younger generation.
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You're in the lap of the gods. If people go, they go, and if they don't.
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If I wasn't in fashion, I would have been a psychiatrist.
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If my client calls me and says, 'I'm going to a friend's premiere,' I'll say, 'Come over and let's do something cute.' And I won't bill them for that.
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My music is about where I am at the time. In 'Raymond vs. Raymond,' I was going through a lot of things, and it came out in my music. My marriage fell apart, and I was suddenly a single father.
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I know that John Adams has had a very hard time directing French ensembles.
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What I love about sci-fi is that every generation's films are based on what we know at that point in time. We make movies about the future but it's always based on what we have. Then as science grows and we discover new things, so do our ideas. You know?
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We served on the editorial board of a literary monthly called Face in 1968 and 1969. He was a young writer, and I was also interested in broad cultural issues. We agreed on all major issues and became friends.
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I remember being told very early on, 'Just say what they want to hear in the audition, and we'll figure it out later on.' So there have been a few tricky moments. I once said I could ride, when the truth is I'm terrified of horses, but I got the job!
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The idea that I could push the envelope using dedication and research and endless curiosity has propelled me in my life's work.
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Just making the crowd laugh is not really doing things for me anymore. That's just knowing how to kill; I've learned how to kill – but also learned when a crowd's laughter is meaningful.
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I think if you're going to master policy, especially world affairs, you've got to know history.
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For me, it's just acting. It's pretending. The best actors are children, and children don't do research. You never see a child going, 'I'm wondering about my motivation here. How can I do this toy? How can I do this train? I don't feel train.'
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I expect there will be more virtual schools.
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Sudheer Varma is very easy going and very confident director. He knows exactly what he wants. He has a very good vision and knows how many shots he wants for a scene. He is super fast. He gives freedom for actors to try different things. The atmosphere on the sets was never serious. We had great fun working together.
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Fame is very agreeable, but the bad thing is that it goes on 24 hours a day.
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How to know, oh how to know! All is relative ease and facility in orthodoxy, yet how can it be denied that good is in itself undeniable? Absolutes are the most uncertain of all formulations, while the uncertainties are the most real...
