Natalie Zea Quotes
I won't name any names, but I've done a couple of shows where once the pilot got picked up, the creators openly said, 'I have no idea where we're going.'
Quotes to Explore
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A new untruth is better than an old truth.
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I never pursued being 'famous.'
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Often it seems that there are writers who are their best selves on the page. That Seamus Heaney was as genuine and deeply admirable in person as in his poems was to me a gift, then as now.
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As the arteries grow hard, the heart grows soft.
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I enjoy doing new tunes. It gives me a little bit to perk up, to pay a little bit more attention.
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As a child, I remember my dad would sometimes drive me into town with him to play pinball machines together. It's a bittersweet memory but also a favorite.
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I think it must be so hard to start your career with everyone going on about how gorgeous you are. To be in that bracket must be so pressurised.
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I'm a very interior person. I love silence. I revel in it. I'm happy that way.
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I've matured since joining United, on and off the field.
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What I know is, is that if you do work that you love, and the work fulfills you, the rest will come.
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I was a huge ham in school in Atlanta.
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Warren Beatty once told me that if someone's really stuck on you, find them their next boyfriend. But I could never do that.
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I always loved advertising. If I hadn't been in fashion, I'd have been in advertising.
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There is one day that is ours. Thanksgiving Day is the one day that is purely American.
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It is as difficult to define or classify Islamic cinema as it would be a Christian, Jewish or Buddhist one.
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Politics is largely a matter of heart.
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If a Democrat took Republicans on rudely, they wouldn't be elevated in the Democratic Party. There's a different standard. We're supposed to be polite to people.
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You have to be brave and not always play likeable people. It's difficult, because there's a demand for the hero or heroine to be very likeable.
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My work is about structure. It has never been a reaction to Abstract Expressionism. I saw the Abstract Expressionists for the first time in 1954. My line of influence has been the 'structure' of the things I liked: French Romanesque architecture, Byzantine, Egyptian and Oriental art, Van Gogh, Cézanne, Monet, Klee, Picasso, Beckman..
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People like to stir up the fashion vs. costume world, and I think what they mean by 'too costumey' is that it's too much, or not real enough for everyday wear. You couldn't say that about John Galliano's shows, right? I mean, they're awesome, and they're total costume.
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I take inspiration from books, movies, television, music - it all goes in the hopper. Depending on the project, I'm drawing from this or that piece of art that has stayed with me. Toni Morrison, George Romero, Sonic Youth - they are all in there.
Colson Whitehead -
Wedding is destiny, and hanging likewise.
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The irony is that the more unapologetically sexist men are in movies, the more women tend to be attracted to them in person.
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I won't name any names, but I've done a couple of shows where once the pilot got picked up, the creators openly said, 'I have no idea where we're going.'
