H. R. Giger Quotes
Quotes to Explore
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I get tired of comedies where there are a bunch of funny guys and a beautiful woman who doesn't do anything funny. And I don't like books where there's a rough-and-tumble boy and a really clever, snotty girl. That's just not my experience with teenagers.
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When you're young, you're stupid. You do silly things.
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I haven't got a waist. I've just got a sort of place, a bit like an unmarked level crossing.
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My narrative style centers around intimate, highly subjective depictions of personal experience and internal landscapes. In 'March,' everything fell into place as soon as I began identifying strongly with John Lewis as a young boy and saw how we shared the same kind of gravity and intensity as youngsters.
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My father had a lot of allergies, and he just didn't like the cold of Chicago, and his father - his parents had broken up when he was young, and his father had lived in Pasadena for a while, and he kind of fell in love with Southern California.
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I wanted very much to be Miles Davis when I was a boy, but without the practice. It just looked like an endless road.
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I grew up in different parts of Africa. I grew up in Mozambique and places like that. I've been in South Africa many times.
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I don't like getting out when I could be painting. And when I'm painting, I don't want anybody else around.
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I feel very strongly that young women have regressed a little bit. But I do get all preachy about it.
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Growing up, there were no families on TV that looked like mine.
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I feel like I'm supposed to be a shooter.
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I don't really have anything against Will Young or Gareth Gates.
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Having been raised by actors who love moral ambiguity and flawed protagonists, I feel like it's sort of in the blood to want to take it on.
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I must be like the princess who felt the pea through seven mattresses; each book is a pea.
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I love Vegas. It's like going to Disneyland.
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I was taught as a young child by my parents and family to love myself.
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I can say I love working with women. Film is a man's world, and I really appreciate the opportunity to collaborate with women, especially young women.
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I love going for a swim. Growing up in England, anywhere with a pool seems like the height of glamour to me.
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Red Dust was about the late 1980s; it was a time of burgeoning hopes and opening up and people searching for new ways.
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If you're a pop singer, you don't need to evolve. You just get a set together, have some hit songs and play them over and over.
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Whether it's writing songs, being on stage, being interviewed, meeting fans - I just try to be myself, which is kind of exhausting because it almost feels like it never shuts off.
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Networks can typically invest tens of millions of dollars in the development of a pilot. And if they put the show on the air and it fails, that's all lost money. There's no monetization of a broken series.
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When I was a young boy, I was obsessed with skulls and mummies and things like that.
