Barry W. Lynn Quotes
AU investigated the Religious Right's most common examples of the “war on Christmas.” Guess what? They're bogus! Two schools accused of banning red and green did no such thing. Another school was accused of rewriting “Silent Night.” In reality, it was putting on an eighteen-year-old play that changes the words of familiar Christmas carols to fit the play's secular theme of homelessness.
Quotes to Explore
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Often I pretended to a cameraman to know less than I did. That way I got more cooperation.
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I found that the corridors of power in Delhi were littered with lobbies of various kinds.
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I tramped. When I was on the freight trains, I wasn't looking for work. I was looking to go from place to place without paying any money.
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I'm not going to say what was being used in the clubhouse; whatever happens in the clubhouse stays in the clubhouse. But it was not like it was in your face.
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To play four hands requires two people who have great affinity for each other.
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People can be inspired the way I've been inspired by music.
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Even as a partisan Republican, I'm not sure a 40-year run is healthy for either party.
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Nancy Pelosi says the angry opposition to health care reform is like the angry opposition to gay rights that led to Harvey Milk being shot.
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I don't believe in total freedom for the artist. Left on his own, free to do anything he likes, the artist ends up doing nothing at all. If there's one thing that's dangerous for an artist, it's precisely this question of total freedom, waiting for inspiration and the rest of it.
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I was a diabetic for 16 years, since I was 14. Being that I lost weight, no more diabetes. You don't have to lose your eyesight, cut off your toes, have a stroke, get kidney failure. You just have to lose weight - you know - for most of the diabetes.
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I submitted manuscripts to publishers. This was not so much a feeling that I should be published as a wish to escape the feared and hated drudgery of normal work.
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I studied English literature; I took 2 independent religion classes, but I wasn't a religion major really.
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I always figured it was best if I write my songs, take them to my publisher and just lay back. There used to be so many things going on - getting to the artist, getting to the publishers - you know, politics. I just didn't want to get mixed up in all of that.
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As a comedian, I don't know if they're laughing because it's funny or if they're laughing at me because I'm not funny. And I'm thinking, 'Who cares? They're laughing.' If you go on stage, and they're laughing at you full-on for 60 minutes? You know, whatever puts them in the seats.
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I would kill to be on 'Dexter,' and I would double kill to be on 'True Blood.' I would pay them to let me come be a vampire or a vampire victim. No joke!
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Men are my bread and butter. It's what I live for! I have no shame about that.
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The dangerous thing about platform introductions is that they tend to create unrealistic expectations.
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Nothing is more important than when you see someone for the first time, and you get that feeling where you can't move or speak or do anything until you know that person and take a sense of who they are with you.
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I work with the Carl Lewis Foundation focusing on youth from high school down.
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I don't hate people who colour-blind cast, but I hate people who colour-blind cast and pretend that they're not, who pretend that these bodies on stage don't actually carry specific meaning.
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I think the big thing with O.J. - I've known him since he was in high school - and he's a great kid, loves the game of basketball.
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I got us off to a bad start from the beginning of the game. The magnitude of the game and being in so many games like that, for me to be the one to act like I had never been in a game like that is unacceptable. I fully take responsibility for this one.
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AU investigated the Religious Right's most common examples of the “war on Christmas.” Guess what? They're bogus! Two schools accused of banning red and green did no such thing. Another school was accused of rewriting “Silent Night.” In reality, it was putting on an eighteen-year-old play that changes the words of familiar Christmas carols to fit the play's secular theme of homelessness.
