Remo D'Souza (Ramesh Yadav) Quotes
My chemistry with Salman goes long back, and we have a great equation. Doing a film with him is no less than a dream.
Quotes to Explore
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I know I'm good enough. I don't need to show it to you. Either you know who I am, or you don't.
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I always think it's because of you know hard work, hard training. And if Susie's training hard, you know, why can't I train hard to get a world record. I'm doing the same thing.
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Television offered me the opportunity to do new things; I had written a lot of scripts other than scary movies. I had actually written some romantic comedies and stuff that I really wanted to try my hand at, and nobody would let me do that. Television allowed me to do anything I wanted.
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Before 'Gremlins,' I was a normal person, then within two weeks of the movie coming out, I couldn't walk into a store without people turning around and staring. It's exciting and also scary because everyone starts telling you how amazing you are.
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My dad was very fun and very adventurous, and from a formative age I learned to value men who would do things on a whim.
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It's the subtleties of a ballad that truly make it beautiful - and it's all in the way you present it to the listener.
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Men do not have to cook their food; they do so for symbolic reasons to show they are men and not beasts.
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A pen is to me as a beak is to a hen.
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Affirmative action has been generally cast in terms of race. I think women themselves are not as cognizant of the role affirmative action has played in opening the doors for women.
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Detroit is drunken idiots. It was no surprise to me. I performed with Kenny Rogers for one year as his opening act, and I got to visit every major American city and notice the audience, and Detroit was one of the worst.
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The reason why time plays a great part in so many of my tales is that this element looms up in my mind as the most profoundly dramatic and grimly terrible thing in the universe.
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Philosophy … is a science, and as such has no articles of faith; accordingly, in it nothing can be assumed as existing except what is either positively given empirically, or demonstrated through indubitable conclusions.
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Once you begin to explain or excuse all events on racial grounds, you begin to indulge in the perilous mythology of race.
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I never want kids to walk away after a school presentation and say, 'I met a writer today.' I want them to say, 'I am a writer.'
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We are a categorically obsessed culture, where we have to compartmentalize everything in reference to another thing, like, 'What does it sound like? Does it sound like this?'
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But inside, I'm going, 'Oh my God, is my zipper up? Do I have a booger in my nose?' That's my inner monologue.
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Never relinquish the initiative.
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Essentially, the popular musician in America must learn that his basic job is to entertain people, to make them forget their sorrows for a moment or two; in the same sense that any popular art form must aim at the same distraction value. Any such job as that is basically a young man's business. It takes a young man's energy to go traveling around the country, night after night in a different place, prancing and cavorting around in front of mobs of people all out to try to forget their problems for an evening. And for a young man it can be a good enough way of life, if he happens to like it.
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Many people with dyslexia truly suffer, and their lives are worse off for having had that disability.
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And that's the way it is. ...reads date. This is Walter Cronkite, CBS News; good night.
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It's nice to sometimes get things out of life, rather than stealing from other artists. I'm trying to steal from the real people.
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My chemistry with Salman goes long back, and we have a great equation. Doing a film with him is no less than a dream.
