Beatrice Sparks Quotes
Quotes to Explore
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The treatment by some towards these young refugees is hideously racist and utterly heartless. What's happening to our country?
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When you're young, you're stupid. You do silly things.
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My father had a lot of allergies, and he just didn't like the cold of Chicago, and his father - his parents had broken up when he was young, and his father had lived in Pasadena for a while, and he kind of fell in love with Southern California.
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When I was a young boy, I was obsessed with skulls and mummies and things like that.
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The trouble with young writers is that they are all in their sixties.
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I don't really have anything against Will Young or Gareth Gates.
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One of the virtues of being very young is that you don't let the facts get in the way of your imagination.
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The young are adept at learning, but even more adept at avoiding it.
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I got the travel bug when I was quite young. My parents took me and my sisters out of school and we travelled all over Europe. It was an eye-opening experience and, although I love Norway, I also enjoy visiting new countries. I don't get homesick.
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One of the first things I picked up when I was very, very young out of a record store was work from Peter Saville - the early things he used to do for Factory Records.
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One of the defining dynamics of 2008 has been the emerging wave of new, young voters getting involved and storming the gates of the traditional political establishment.
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I've always considered myself a fairly romantic person. I believe in love and falling in love at a young age.
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I was always falling in love at a very young age - kindergarten is when I can remember. There was always a crush. And when I was in sixth grade, I started picking up guitar, so I started wanting to write about it and sing about it.
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Young readers are the most challenging, demanding, and rewarding of audiences. Adults often ask why I write for the younger set. My reply: 'I can't think of anyone I'd rather write for.'
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I didn't do the typical things that young kids do.
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People going into the cities for the opportunities and the towns are getting older, no young people.
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I would hate to be thrust into the middle of a big film and not deliver. There's young actors and they're put into these central roles and they're commanding armies - but they can't quite pull it off. I'd much rather do it in small steps and build it from there.
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I don't think I have a demographic. I was at Comic-Con in San Diego recently, and I was doing a signing, and my line was all military guys, young girls, housewives and guys in wheelchairs. There was just everybody all over the place.
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I consider myself a good layman's cook. Ninety percent of the time, I'm successful with what I set out to make, and I can improvise. Yes, I own a mandoline. Yes, we have a Vitamix.
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When 'Desperate Housewives' ends, I think my girls will be about the kindergarten age. I will be so happy to be there for them through that huge transition.
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Here's the thing: I left Ion Storm and Eidos in the spring of 2004 frankly because I felt out of place at that company.
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When you're young, you want to live fast, but you definitely don't want to die young. At the same time, you want to do things in slow, progressive manner that will benefit you in the future. Don't jump into things.
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Honestly, Jared, one thing at a time. Why are you in a well with me? This is a really bad rescue!" [...] "I called the police as I was running to the well. I'm sure they're coming." "Did they say they were coming?" Kami asked suspiciously. "Or did you shout, 'Kami's in the well!' before jumping in the well too, thus loosing your phone and making sure the police think it was some kids playing a dumb joke?" Jared paused. [...] "Alternate plan," Jared said. "Do you have a very intelligent collie who might communicate through a system of barks to your parents that little Kami is in the well?
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One day I'll be old, without ever having really been young.
