Edie Sedgwick Quotes
You care enough, that you want your life to be fulfilled in a living way, not in a painting way, not in a writing way... you really do want it to be involving in living, corresponding with other living objects, moving, changing, that kind of thing.
Quotes to Explore
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We are asleep with compasses in our hands.
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I would like to direct.
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Phrases that have historical significance or become headlines don't just magically appear in the moment. They are mindfully planned.
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What Washington needs is adult supervision.
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When you play for one run, that's usually all you get. I have nothing against the bunt in its place, but most of the time, that place is in the bottom of a long-forgotten closet.
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I am big believer that increase the size of the cake is as at least as important as distribution of the cake. To increase the size of the cake, you need to focus on progress.
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My attitude is always one of sensuality, aggressive enthusiasm and a kind of outrageousness in my expression.
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My goal is to improve my game, stay healthy and be competitive. If I have that, I know I can be able to win tournaments, which in the end is what it counts.
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The defiance of established authority, religious and secular, social and political, as a world-wide phenomenon may well one day be accounted the outstanding event of the last decade.
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I want babies. I think I'll be a great dad.
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If I can't get a mental image from the song, I won't sing it.
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An object is not first imagined or thought about and then expected or willed, but in being actively expected it is imagined as future and in being willed it is thought.
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It has always been a wonder to me where my conversational power has gone: at the present time, I cannot impress the most ordinary men.
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If people have bought something of mine, they know by now that I will decline writing it for the movies.
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Ain't no place like New Orleans. It's one of kind.
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Travel, of course, narrows the mind.
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Lawyers and other professionals are using Quora to build their reputation and build their bonafides.
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We have no chance to comprehend what goes on there - it's so dramatic, and people are so poor. We all felt bad about being there. Filming in India felt like we were going to borrow something knowing that we were never going to give it back.
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The castle of Cair Paravel on its little hill towered up above them; before them were the sands, with rocks and little pools of salt water, and seaweed, and the smell of the sea and long miles of bluish-green waves breaking for ever and ever on the beach. And oh, the cry of the seagulls! Have you ever heard it? Can you remember?
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There's a period in one's life when beauty is very important. For me, it was high school. But I had a grandmother who kept saying, 'Handsome is as handsome does.' That's always stuck with me.
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For a long time, Nella Larsen was the mystery woman of the Harlem Renaissance. In the late 1920s, she published two sophisticated novels, 'Quicksand' and 'Passing,' and then her writing life came to an end. She died in obscurity in 1964.
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A writer writes for writers, a non-writer writes for his next-door neighbor or for the manager of the local bank branch, and he fears (often mistakenly) that they would not understand or, in any case, would not forgive his boldness.
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Lines I die but when the grave shall press The heart so long endeared to thee When earthy cares no more distress And earthy joys are nought to me. Weep not, but think that I have past Before thee o'er the sea of gloom. Have anchored safe and rest at last Where tears and mouring can not come. 'Tis I should weep to leave thee here On that dark ocean sailing drear With storms around and fears before And no kind light to point the shore. But long or short though life may be 'Tis nothing to eternity. We part below to meet on high Where blissful ages never die.
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You care enough, that you want your life to be fulfilled in a living way, not in a painting way, not in a writing way... you really do want it to be involving in living, corresponding with other living objects, moving, changing, that kind of thing.
