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We care too much about what happens to be there as a result of history. I worry even more that we care too much for the past and not enough for the present and the near present.
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For the late twentieth-century museum director there is no more certain prospect for audience acclaim and sponsor success than those Impressionist and Post-impressionist artists who were so reviled a century earlier
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An honest curator will admit that judgement is fallible, especially for art made yesterday.
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Much modern art is, at first sight, unnerving... in the contemporary world, we have come to expect instant response and immediate understanding.
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I have never really understood the objection to art which is specifically made for a gallery or museum, and so cannot be collected by an individual or taken home. It is rather like saying that all music should be confined to the chamber work or novels to the short story.
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After thirty years of looking at new work in galleries and even newer work in studios, I am very familiar with the experience of being completely at a loss when confronting a new idea or image.
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The argument that new vision becomes the reference point for the future, is a line that I have been driven to use on many occasions.
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Art should be transgressive. Life is not all sweet.