Rebecca Mader Quotes
I've always wanted to do an adult cartoon, because I want a job where you can just drive up in your pajamas, have a cup of tea and not even get dressed, and you've gone to work for the day. What a great gig!
Quotes to Explore
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I was always told at school that you had to have a back-up plan, but all I ever wanted to do was act. There was no plan B for me.
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I didn't have children, but I never wanted children.
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I always wanted to do a Disney movie.
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I try to build a full personality for each of our cartoon characters - to make them personalities.
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I've never wanted to be the boss.
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No, I haven't asked for a guy's number, but I've always wanted to.
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I read that book, 'Lonesome Dove,' and I told my agent that they were gonna make a miniseries out of it and I wanted to be in it. I didn't care what part.
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I became what I wanted to be.
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My dad farmed, my granddad was a farmer. I wanted to be a farmer.
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My acronym is WWSJD: What Would Steve Jobs Do?
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Musically, I always wanted to experiment.
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I always knew I wanted to be a writer.
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When you have a steady job you're more inspired to broaden yourself.
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I always wanted to know what it felt like to fall on stage... now I know. It's not how you fall, but how you get up
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I've always been a fast reader. Now I had to do it slowly, discussing each sentence. And every time I wanted to change something I had to come up with an intelligent defense I could be pretty sure that they would turn my suggestion down, as they had so many aspects to keep in mind. However, if I argued well, I could have a chance. I had to think of every comma, every word.
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I believe that the FBI clearly was concerned, wanted to monitor and disrupt Malcolm X wherever possible.
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I didn't know how we were going to get jobs out of NAFTA, but I tend to be suspicious of these things, like NAFTAs and WTOs and so on.
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Al Gore's extreme ideas about cars could cost a lot of Michigan families their jobs.
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Eventually I gave up teaching at the St. Paul Gallery because of disagreements with the philosophy of that museum, and I got a job at the University of Minnesota, which was very fortunate because it was a part-time job and that gave us a great deal of time in our studio to work together and to make the pots we wanted to make.
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When Lonnie Mack came out with the guitar instrumental "Memphis" I thought, Oh God, finally somebody we guitar players can relate to!
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I recognise my responsibility, and it's funny when I read people who say they never asked to be a role model, and I understand that, but as soon as you have influence over people, you have a responsibility with what you do with that influence.
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I've always wanted to do an adult cartoon, because I want a job where you can just drive up in your pajamas, have a cup of tea and not even get dressed, and you've gone to work for the day. What a great gig!
