Red Auerbach Quotes
To a father, when a child dies, the future dies; to a child when a parent dies, the past dies.
Quotes to Explore
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Suggest your children try tithing - giving 10 percent of their allowance to a charity every month.
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At Christmas, I am always struck by how the spirit of togetherness lies also at the heart of the Christmas story. A young mother and a dutiful father with their baby were joined by poor shepherds and visitors from afar. They came with their gifts to worship the Christ child.
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My father in the film - which we probably haven't seen in previous movies, and in British Asian movies you could probably count on one hand - he says exactly why, actually why he's frightened for his daughter. He came to this country, England, and had a bit of a crappy time.
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I like connecting the abstract to the concrete. There's a tension in that. I believe the reader or listener should be able to enter the poem as a participant. So I try to get past resolving poems.
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Once I have children, the kids come first. One thing at a time for me.
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The unrecorded past is none other than our old friend, the tree in the primeval forest which fell without being heard.
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As philanthropists, the most powerful legacy we can create is one that keeps on giving - through our children.
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As a child, my father's architecture seemed to me to be industrial in a way. It seemed harsh and kind of chilly; I didn't respond to it.
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The trouble with children is that they're not returnable.
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There have been two areas identified as being vital to reading - and that's for very young children between the ages of one month and five years and for teenagers. I've been trying to find ways of approaching both groups.
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I'm a big fan of my father.
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I have this dog named Marley, and it is a kind of love I had never known. I have a hard time believing Marley did not come from my body. I know that sounds insane, but I feel that connected to her. She made me realize I wanted to adopt children.
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It is a lot of responsibility. But I enjoy being a father. That's one of the best parts of my life. I feel like, man, that's one of the greatest things I've got going on, being a father.
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The '80s was all about this idea that women could have it all. You could have a career, and you could have a husband, and you could have children.
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My mother insisted that I pursue music. I rented out my father's musical equipment and earned some money. As a child, I wasn't sure about a career goal, but I was always fascinated by electronic gadgets, specially musical equipment.
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I have my family, my children - I have a lot of outside activities.
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The House has noticed the Prime Minister's remarkable transformation in the past few weeks from Stalin to Mr. Bean, creating chaos out of order, rather than order out of chaos.
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I never stopped believing in us, and I never felt like I was wanting for anything, except for my father, and that was not going to be.
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I never knew my father. He'd disappeared from the scene before I was born, and I still have no idea who he is. Perhaps strangely, it's never bothered me; I certainly don't believe it's really affected me.
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I find that communication as an actor and person is an important part of who I am. And I'm really drawn into the psychology of those dynamics.
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No doubt, the most important thing in my career was my time with Mr. Bergman, with whom I worked in so many films and also in so many stage productions, so it was a continuous working relationship and also a friendship, of course, that lasted for so many years.
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The problem is that so often we forget that we are in warfare and that Satan's target is our mind.
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In my own life, I share my home with works by artists like Elizabeth Murray, Martin Puryear, Jackie Windsor and so many others, whose creativity is clear and fresh and compelling; the works break through the usual, and they inspire creativity; they inspire responses and understanding.
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To a father, when a child dies, the future dies; to a child when a parent dies, the past dies.
