Red Gerard (Redmond Gerard) Quotes
Quotes to Explore
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I found out early in life that I could hit a baseball farther than most players, and that's what I tried to do.
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Society attacks early, when the individual is helpless.
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In my early teens, science fiction and fantasy had an almost-total hold over my imagination. Their outcast status was part of their appeal.
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I used to always run off at the mouth and talk about people. I just didn't know that it would make a living for me.
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Borderline embarrassing fact: I used to have a pseudo line when I was seven called Zizzy Fashion. I love clothing, and I would eventually like to design as well as act.
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I used to sculpt a bit as a kid.
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I'm 34 years old. In most jobs, your early 30s to early 40s are your power years.
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In the early stages of our involvement in Vietnam, basically I felt that our course was right. My concern grew with the concern of the American people.
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I learned early that I had to work harder than the white kids and harder than the boys.
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I'm so programmed to getting up early that I like to make the most of the day.
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I used the best technique that I knew to protect my files.
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It used to be you wanted to marry up.
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Daytime soap operas, which I used to adore, have been declining in quality and importance for over a decade, and I gradually stopped monitoring them.
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When I first got into the rap game, I had an early dream of unifying rappers.
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I was fortunate in that I attended university in Canada in the early 1970s when you could take a true liberal arts degree with no programmes, majors or minors.
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Early on in my career I had a lot of bad press about my temperament, but I was only a young lad then.
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Throughout the early and mid-1990s, the Clinton administration debated the merits of paying for AIDS testing and counseling of vulnerable populations overseas.
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We are all in a post-hypnotic trance induced in early infancy.
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Bernie Madoff is probably more nuanced then I'm giving him credit for, but I just couldn't get under his skin.
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There is never a typical week. I don't think I can live with a typical week.
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I was taught that to create anything you had to believe in failure, simply because you had to be prepared to go through an idea without any fear. Failure, you learned, as I did in art school, to be a wonderful thing. It allowed you to get up in the morning and take the pillow off your head.
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I enjoy worldbuilding very much. I generally start with an approximation. With 'Flesh and Spirit' and 'Breath and Bone,' because I was thinking of a world on the brink of a dark age, I began with the sense of Roman Britain. But I purposely set the geography to match something other than Britain - which has been overdone.
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I'm not used to waking up early at all.
