Anya Hindmarch Quotes
Quotes to Explore
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I grew up in St. Louis in a tiny house full of large music - Mahalia Jackson and Marian Anderson singing majestically on the stereo, my German-American mother fingering 'The Lost Chord' on the piano as golden light sank through trees, my Palestinian father trilling in Arabic in the shower each dawn.
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There's something about the silence of people listening to someone or watching someone - I just... I love that.
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Brands like Starbucks came along and talked about their brand as itself being a community, the idea that Starbucks is what they like to call a 'third place,' which is not their idea; it's the idea of basic citizenry needing a place that is not work, that is not home, where citizens gather.
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Moral authority is never retained by any attempt to hold on to it. It comes without seeking and is retained without effort.
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I like the way the stories of my relationships sound to music more than the way they look in print, in gossip columns or in me talking about them in interviews. I think it's a better way of telling the stories.
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My grandfather gave me my first guitar, an old acoustic with palm trees and dancing girls painted on it.
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I've never felt fallow in the sense that there's been no work.
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I could not finish the rest of the tours the band had planned. I was replaced by Matt Cameron. The next years of my life were about recovery, healing, and right living. I never lost the need to create.
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I think this notion that public enterprises do not work and therefore nationalization will be a disaster, I mean, it's not supported by evidence.
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I don't know if anyone knows if they're ever any good, but I went to drama school in Scotland, in a classical acting course, and my first year, I remember one of my tutors telling me that I couldn't act, and I should give up and all this sort of thing, and then, they cast me as Romeo in 'Romeo and Juliet.'
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Sylvester has a great popular sense, as good as any writer I've ever worked with. He knows what audiences want to see, and what they don't want to see.
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The first TV show I worked on was with the guys from 'Little Britian,' Matt Lucas and David Walliams, who did a show in 1995 I directed, 'Mash and Peas.'
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Artists need to express.
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We shall be better prepared for the future if we see how terrible, how doomed the present is.
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The worst thing you could ever get is people who think they know everything.
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Keep all your personalities out of your work. Forget and forgive.
Ford Frick -
It's not what people do that matters, it's why they do it.
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Me, as myself, I don't think I'm particularly funny. But I've noticed that people in my life always have found me amusing. Which, when I was little, really bothered me.
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In New York, people are unhappy on purpose, because unhappiness makes them seem more complex; in Washington DC it just sort of works out that way.
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We can change the world with every thought we have and every word we speak.
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This is how to avoid re-creating painful situations: Take the time to discover your real intention before you act. If it is to change someone or the world so that you will feel safe or better about yourself, don't act on it, because it is an intention of fear and can create only painful consequences.
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A silent majority and government by the people is incompatible.
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Stumbling is not falling.
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Often fear is the same emotion as excitement. It means you are breaking ground.
