Anya Hindmarch Quotes
Quotes to Explore
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I grew up in St. Louis in a tiny house full of large music - Mahalia Jackson and Marian Anderson singing majestically on the stereo, my German-American mother fingering 'The Lost Chord' on the piano as golden light sank through trees, my Palestinian father trilling in Arabic in the shower each dawn.
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There's something about the silence of people listening to someone or watching someone - I just... I love that.
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Brands like Starbucks came along and talked about their brand as itself being a community, the idea that Starbucks is what they like to call a 'third place,' which is not their idea; it's the idea of basic citizenry needing a place that is not work, that is not home, where citizens gather.
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Moral authority is never retained by any attempt to hold on to it. It comes without seeking and is retained without effort.
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I like the way the stories of my relationships sound to music more than the way they look in print, in gossip columns or in me talking about them in interviews. I think it's a better way of telling the stories.
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My grandfather gave me my first guitar, an old acoustic with palm trees and dancing girls painted on it.
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I've never felt fallow in the sense that there's been no work.
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I could not finish the rest of the tours the band had planned. I was replaced by Matt Cameron. The next years of my life were about recovery, healing, and right living. I never lost the need to create.
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I think this notion that public enterprises do not work and therefore nationalization will be a disaster, I mean, it's not supported by evidence.
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I don't know if anyone knows if they're ever any good, but I went to drama school in Scotland, in a classical acting course, and my first year, I remember one of my tutors telling me that I couldn't act, and I should give up and all this sort of thing, and then, they cast me as Romeo in 'Romeo and Juliet.'
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Sylvester has a great popular sense, as good as any writer I've ever worked with. He knows what audiences want to see, and what they don't want to see.
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The first TV show I worked on was with the guys from 'Little Britian,' Matt Lucas and David Walliams, who did a show in 1995 I directed, 'Mash and Peas.'
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Artists need to express.
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We shall be better prepared for the future if we see how terrible, how doomed the present is.
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The worst thing you could ever get is people who think they know everything.
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Keep all your personalities out of your work. Forget and forgive.
Ford Frick -
It's not what people do that matters, it's why they do it.
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Me, as myself, I don't think I'm particularly funny. But I've noticed that people in my life always have found me amusing. Which, when I was little, really bothered me.
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Fear is something I try not to absorb.
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I simply can't do one-word message replies: Yes. Ok. No. Sure. Cool. None of these are options for me. I must write something extra. Something personal. I put kisses and emoticons. Emoticons, by the way, are my very best friends. They have removed all the pressure of thinking up something personal to say.
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I've also worked hard portraying an Ireland which is fast disappearing. Ireland was a very depressed and difficult place in the 1980s, and I've tried to include that in the script. I worked really hard to find the heart of the book.
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The downfall of civilized states tends to come not from the direct assaults of foes, but from internal decay combined with the consequences of exhaustion in war.
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And we feel things less than we did when we were kids, because we’ve grown so much scar tissue, or our senses have dulled.
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Often fear is the same emotion as excitement. It means you are breaking ground.
