Flannery O'Connor Quotes
I don't think you should write something as long as a novel around anything that is not of the gravest concern to you and everybody else and for me this is always the conflict between an attraction for the Holy and the disbelief in it that we breathe in with the air of the times.
Quotes to Explore
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I remember the first time I went to Italy when I was eighteen, I was in Florence and there were all these eighteen, nineteen, twenty-year-olds gliding past on Vespas with crinkly, long, hair, and I thought I was on the set of a movie. I couldn't believe that this was going on and I hadn't known about it before. I was flabbergasted.
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I would never write a memoir, because it would be too boring.
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When I write a movie, I write it for me.
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Lexington did launch its air group when a Japanese carrier was reported.
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NASA projects often have romantic names that link into a long history of exploration and adventure: Atlantis and Discovery, for example.
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While teaching a course on global development at Uppsala University in Sweden, I realized our students didn't have a fact-based worldview. They talked about 'we' and 'them.' They thought there were two groups of countries: the Western world, with small families and long lives, and the Third World, with large families and short lives.
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I just write mechanical things.
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If men were born free, they would, so long as they remained free, form no conception of good and evil.
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At the end of the seven years, 'Family Ties' voluntarily went off the air. And, we went off as the #1 show on TV that week. We cut down the nets on stage 24 and moved on with the rest of our lives. Always to carry with us the blessing of what we had gone through together.
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I had one of the most outdoorsy childhoods you could imagine. I basically lived in the woods until I was 13. My dad and I built a huge treehouse in our backyard in Chesterfield, about 30 feet in the air. And we'd vacation on an island in Michigan, where I hunted a deer that we ate.
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I write songs that are like diary entries. I have to do it in order to feel sane.
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It takes a long, hard effort and sustained determination to reduce crime. We will stay the course and we are confident that the numbers will continue to go down.
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Life is one long jubilee.
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'The One-Eyed Man' is a novel that was one I never intended to write.
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If I write something, and I'm going to put in all that love and energy, I want to direct it.
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I try to cancel out every possibility of losing the fight, and this runs through my head all day long. I'm seeing myself become smashed in the face, cut, or being submitted or being knocked out in so many different ways all day long.
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Storytelling is fine as long as you can encourage people to act on the stories.
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The monotony of a long heroic poem may often be pleasantly relieved by judicious interruptions in the perfect succession of rhymes, just as the metre may sometimes be adorned with occasional triplets and Alexandrines.
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It's even easier to write about the past now that I'm happy and have better stuff to write about. That's why someone like Bob Dylan can make so many records over so long a time; it's not like he's been sad all this time. He's really successful!
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The European leagues have been there a long time, the coaches have been there, the clubs have been there, there's history to the teams. There's already that football support culture.
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I've wondered, though, if one of the reasons we fail to acknowledge the brilliance of life is because we don't want the responsibility inherent in the acknowledgment. We don't want to be characters in a story because characters have to move and breathe and face conflict with courage. And if life isn't remarkable, then we don't have to do any of that; we can be unwilling victims instead of grateful participants.
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While the past is the past, it often affects our decisions later on in life.
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I don't think you should write something as long as a novel around anything that is not of the gravest concern to you and everybody else and for me this is always the conflict between an attraction for the Holy and the disbelief in it that we breathe in with the air of the times.
