Flannery O'Connor Quotes
Quotes to Explore
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I'm not a character like Rapunzel or Cinderella; my story looks like any other.
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We want a story that starts out with an earthquake and works its way up to a climax.
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In English, the sounds and melodies I created were an inspiration to me, and words came to me as I explored the sounds, and from there I was able expand on the meaning.
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The new meaning of soul is creativity and mysticism. These will become the foundation of the new psychological type and with him or her will come the new civilization.
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A story never looks as good as when the other fellow buys it.
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I'm not a very big fan of 'Slumdog Millionaire.' I think it's visually brilliant. But I have problems with the story line. I find the storyline unconvincing.
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90%, 100% are going there to hear the singing. The story is another thing. Nobody's interested in the story. Happiness is happiness.
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Every story I create, creates me. I write to create myself.
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Sometimes the kids come up with better endings than the real story.
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This basic thing I always do: 'What happened between the character's birth, and page one of the script?' Anything that's not in the story, I'll fill in the blanks.
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You set up the story, but the characters start talking, and they go places that you didn't expect. You have to follow.
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Honestly, there are so many things about structuring a story for film and telling a story for film that are really different from doing radio.
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I was also the romantic lead in The Boston Strangler - I was the only one that lived to tell the story - so I called myself the romantic lead.
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The reader is going to imprint on the characters he sees first. He is going to expect to see these people often, to have them figure largely into the story, possibly to care about them. Usually, this will be the protagonist.
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I think I've played a lesbian about five times. The first one was with Helen Baxendale in a drama called 'The Investigator,' about the conditions lesbians had to live under in the army in Britain, which was based on a true story.
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When 5150 came out rock was king. Post Nirvana and Pearl Jam 1996 is a different story.
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There really isn't a story that you can't tell inside of it. It's very much a clearinghouse for anything that goes on in the world. So you're not at all limited.
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There's no story that breaks, including a five-alarm fire in Brooklyn, that I don't wish I were covering.
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We are on a journey through the inward space of the heart, a journey not measured by the hours of our watch or the days of the calendar; for it is a journey out of time into eternity.
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I don't look at myself as a writer; I am a storyteller.
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There are philosophical issues involved in that about choosing the right discount rate, the value, the future, and things like that which drive it. But its start with the premise that global warming is real and if you're a denier of that fact, then you're not going to find climate change mitigation policies to have particular appeal.
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I just saw the movie for the first time in its entirely last night. It's really cool when you're in with an audience that's so tuned in and plugged in to what's going on.
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The meaning of the story is the story.
