Flannery O'Connor Quotes
I don't have my novel outlined, and I have to write to discover what I am doing. Like the old lady, I don't know so well what I think until I see what I say; then I have to say it over again.
Quotes to Explore
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Remember who you are and where you come from; otherwise, you don't know where you are going.
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I don't know who took what. That is pretty private with an individual.
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I'm a very good thinker, but I sometimes grab the wrong word. I say something I didn't think through adequately. I mean, I don't type my speeches, then sit up there and read them off the teleprompter, you know. I wing it.
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Let us not be so naive as to think that revolution is just a matter of social or economic discontent.
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This is part of what's driving me, is this feeling like there's so much yet to be discovered in the oceans, and we're destroying it before we even know what's in it.
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I really feel very strongly that the person who runs for office is the courageous one, and the one who everybody has to know.
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There's always going to be a little bit of autobiographical content to everything. It's how you lend some authority to what you write - you give it that weight by drawing on your direct experiences and indirect experiences from people that you know well, or a little.
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I've got nothing very original to say myself.
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The reason I don't carry a mobile phone is I don't want people to know where I am!
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I'm proud to say I've never been anybody's lapdog.
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Life histories tell you just about everything you need to know about an animal.
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In the streets, they're very nice. On Twitter, there are people who love to hate me. Sometimes people get mean. I tend to answer like, 'Careful now, know who you're dealing with...' They're like, 'I'm sorry! Don't send the Lord of Light after me!' It's fun to play with that.
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I am a being of Heaven and Earth, of thunder and lightning, of rain and wind, of the galaxies.
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Women have to be active listeners and interrupters - but when you interrupt, you have to know what you are talking about.
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I like to put a stake in people, because I know people helped me.
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Readers of novels often fall into the bad habit of being overly exacting about the characters' moral flaws. They apply to these fictional beings standards that no one they know in real life could possibly meet.
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Most artists like to think of themselves as rugged individualists, as independent characters.
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Know or listen to those who know.
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Arab civilizations had been of an abstract nature, moral and intellectual rather than applied; and their lack of public spirit made their excellent private qualities futile. They were fortunate in their epoch: Europe had fallen barbarous; and the memory of Greek and Latin learning was fading from men's minds.
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There is no such thing as a little country. The greatness of a people is no more determined by their numbers than the greatness of a man is by his height.
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Our cellphones can do everything, but they're bad at letting us talk to each other.
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People talk about random acts of kindness, and that goes back to the measure of being gentlemanly again. It's about having consideration for others, and not expecting anything back. That's the difference.
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When I first played '1234' it was on stage in San Francisco at some kind of, like, sticky-floored club. And it felt like a punk song. I mean it's ridiculous to say that now, but it had that kind of, like, piercing straight melody. And then this fist-pumping ending, you know that pa-dap-pada.
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I don't have my novel outlined, and I have to write to discover what I am doing. Like the old lady, I don't know so well what I think until I see what I say; then I have to say it over again.
