Flannery O'Connor Quotes
Quotes to Explore
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The products in my bathroom are pretty minimal. Issey Miyake makes great cologne, and I use everything from Zirh, especially their shave scream. I really like Mario Badesco aftershave, too. It's amazing.
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My kitchen bench is covered with vitamins and protein powders. I go through phases when I'm sure I'm taking too many - but I don't get sick often.
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I didn't start working out until college. But in college I could feel my body changing, and I knew that if I didn't make some changes, I was going to go in the wrong direction.
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I grew up in uptown Jamaica; I went to a rich school. I was raised by my mother and my stepfather; they made sure education came before anything. I had a good childhood, grew up spending time with my bigger brothers and sisters. My people are good people. I was exposed to a lot of different kinds of people and culture.
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Life isn't about quantity, it's about quality.
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Being in a wheelchair for 30 years. I'm not whining about it because I don't dwell on things I can't do anything about, you know. I never really think about until somebody mentions it. I did take a bullet.
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People often ask me whether I believe in God. I haven't seen God. But I think that one's beliefs are one's God - and, in those terms, yes, God is there.
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To be able to make decisions and see them come to fruition and feel the excitement around them, what it generates within the company, how the artists get motivated - that's the most rewarding part; feeling I can be a catalyst for an artistic experience for our artists and for the public.
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No policy that does not rest upon some philosophical public opinion can be permanently maintained.
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Of course it's fantastic to have bands formed in garages, but there is a market for other types of music.
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Most fathers don't see the war within the daughter, her struggles with conflicting images of the idealized and flawed father, her temptation both to retreat to Daddy's lap and protection and to push out of his embrace to that of beau and the world beyond home.
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My husband believes that he can make a difference. He loves people.
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Educational legislation nowadays is largely in the hands of illiterate people, and the illiterate will take good care that their illiteracy is not made a reproach on them.
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Story and plot, not historical facts, are the engine of a novel, but I was committed to working through the grain of actual history and coming to something, an overall effect, which approximated truth.
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I guess what all artists want is for their work to touch someone or for it to be thought provoking.
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Emotionally, I have no picture-book illustrated with memories of my first five years, but externally, I have impressions that possess a haunting vividness comparable only to the texture of dreams, when dreams are tumultuously alive.
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I like to accentuate the feminine form, so I'm a big fan of corsets. A woman's body is beautiful and should be shown off and celebrated. I love a simple and elegant dress that highlights my waist.
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Having grown up as a young Army officer in the Vietnam era, I had an instinctual sort of notion that you have to look very carefully and weigh very carefully what anyone says.
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We mourn the blossoms of May because they are to whither; but we know that May is one day to have its revenge upon November, by the revolution of that solemn circle which never stops - which teaches us in our height of hope, ever to be sober, and in our depth of desolation, never to despair.
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Travelling was a big part of my childhood and one that I value very much. In some respects, I can't help but be a bit of a gypsy as an adult. I get fidgety if I'm in one place for longer than three months.
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The protected place in space and time that we once called childhood has grown shorter.
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The great artist when he comes, uses everything that has been discovered or known about his art up to that point, being able to accept or reject in a time so short it seems that the knowledge was born with him, rather than that he takes instantly what it takes the ordinary man a lifetime to know, and then the great artist goes beyond what has been done or known and makes something of his own.
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Anyone who survives a southern childhood has enough material to last a lifetime.
