Flannery O'Connor Quotes
I have also led you astray by talking of technique as if it were something that could be separated from the rest of the story. Technique can't operate at all, of course, except on believable material.
Quotes to Explore
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I had a pretty bad time when I was an undergraduate at Cornell University. I failed out of school. I was much, much heavier.
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I said yes, which turned out to be the right answer.
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Iggy Pop has a voice that's somehow simultaneously self-mocking, wild, precise, amused, righteous, cool, contained and bold. I don't know how he does what he does.
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I don't have many friends in Philadelphia. I sort of have one. I have the dog and someone else.
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I need to be doing different things all the time; it's just part of who I am.
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One thing that we decided very early in the relationship is that when he goes, we all go - the whole family.
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We're actually thinking about distributing 'Moon Over Broadway' on-line. It's tempting, because when you go to a major studio, it's sort of like a farm, you know? They make all the money, since it's kind of a buyer's market.
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My mother didn't set out to surround us with white students or colleagues. My mother just sought a quality education. People have these expectations of who they think you should be. And I say it's because they don't really understand Malcolm X - or his wife.
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Sometimes we misunderstand what films can do. We just throw a whole book in there, with people just talking, talking, and talking. The picture can tell, the frame can tell.
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The best advice my dad ever gave me is that acting is believing. Acting is not acting. It isn't putting on a face and dancing around in a mask. It's believing that you are that character and playing him as if it were a normal day in the life of that character.
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Novels are longer than life.
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I was trying to manage school and training for the Olympics and ended up not doing well at either. That was a big lesson in my life. My mother expected both.
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Our intent of how we're going to play doesn't change.
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Sometimes you surf well and still don't win. It happens to everyone. You learn that one big score doesn't mean much if you don't have a backup. I guess every rookie learns that as time goes by. I took some big lessons from my losses.
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I love literature deeply. I view books as sacred things, and in writing my story, I'm going to do my best to honor the form that has played such a huge part in shaping who I am.
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If there is no criticism, you become lazy. But it should be constructive, and it should be the truth. If it's biased and there's no truth in it, then I don't care about it. If it's true, it helps me grow.
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My films have been progressing towards a certain kind of minimalism, even though it was never intended. Elements which can be eliminated have been eliminated.
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Whatever requires an undue amount of thought or trouble or involves a large expenditure of effort and causes our whole life to revolve, as it were, around solicitude for the flesh must be avoided by Christians.
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I like the slow Scandinavian pace. I don't need cliffhangers in every chapter because I don't want to make a Hollywood movie out of it.
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That justice should be administered between men, it is necessary that testimonies of fact be alleged; and that witnesses should apprehend themselves greatly obliged to discover the truth, according to their conscience, in dark and doubtful cases.
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If I'm going to represent God I have to do it the best I can.
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I love coming home.
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There's only so many variations on the basics of human relationships. To me, it's all about the detail and how you tell the story. How you say, 'I love you.'
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I have also led you astray by talking of technique as if it were something that could be separated from the rest of the story. Technique can't operate at all, of course, except on believable material.
