Flannery O'Connor Quotes
I have also led you astray by talking of technique as if it were something that could be separated from the rest of the story. Technique can't operate at all, of course, except on believable material.
Quotes to Explore
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I had a pretty bad time when I was an undergraduate at Cornell University. I failed out of school. I was much, much heavier.
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I said yes, which turned out to be the right answer.
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Iggy Pop has a voice that's somehow simultaneously self-mocking, wild, precise, amused, righteous, cool, contained and bold. I don't know how he does what he does.
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I don't have many friends in Philadelphia. I sort of have one. I have the dog and someone else.
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I need to be doing different things all the time; it's just part of who I am.
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We're actually thinking about distributing 'Moon Over Broadway' on-line. It's tempting, because when you go to a major studio, it's sort of like a farm, you know? They make all the money, since it's kind of a buyer's market.
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My mother didn't set out to surround us with white students or colleagues. My mother just sought a quality education. People have these expectations of who they think you should be. And I say it's because they don't really understand Malcolm X - or his wife.
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Sometimes we misunderstand what films can do. We just throw a whole book in there, with people just talking, talking, and talking. The picture can tell, the frame can tell.
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The best advice my dad ever gave me is that acting is believing. Acting is not acting. It isn't putting on a face and dancing around in a mask. It's believing that you are that character and playing him as if it were a normal day in the life of that character.
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Novels are longer than life.
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I was trying to manage school and training for the Olympics and ended up not doing well at either. That was a big lesson in my life. My mother expected both.
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Our intent of how we're going to play doesn't change.
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Sometimes you surf well and still don't win. It happens to everyone. You learn that one big score doesn't mean much if you don't have a backup. I guess every rookie learns that as time goes by. I took some big lessons from my losses.
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I love literature deeply. I view books as sacred things, and in writing my story, I'm going to do my best to honor the form that has played such a huge part in shaping who I am.
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If there is no criticism, you become lazy. But it should be constructive, and it should be the truth. If it's biased and there's no truth in it, then I don't care about it. If it's true, it helps me grow.
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My films have been progressing towards a certain kind of minimalism, even though it was never intended. Elements which can be eliminated have been eliminated.
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I am a writer of the textbooks of scientology.
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I'm lucky to come from a very musical family. If you put a record on and turn the volume up, there's a pretty good chance you'll have a lot of people dancing very quickly.
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In the dining room, next to my collection of colorful papier-mache Mardi Gras float art, hang draperies made of the New Orleans toile fabric that I designed pre-Katrina for Hazelnut.
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It's funny because when I'm outside Australia, I never get to do my Australian accent in anything. It's always a Danish accent or an English accent or an American accent.
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Amartya Sen is best known to the general reader for his powerful essays on famine. He is an optimist about some of our gravest economic problems, such as mass starvation in a world that at present can easily produce more food than everyone can eat. Reason and voluntary participation are his watchwords.
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For though we love both the truth and our friends, piety requires us to honor the truth first.
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It's no secret that anybody who knows the music business knows that the numbers are substantially different in Christian music than they are in country music.
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I have also led you astray by talking of technique as if it were something that could be separated from the rest of the story. Technique can't operate at all, of course, except on believable material.
