Arlene Croce Quotes
To think of criticism as a conversation is to think of it as a social act, something that puts you in touch with other people who may think the way you do.
Quotes to Explore
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I went to India and met some people who had been involved in this guerrilla business, middle-class people who were rather vain and foolish. There was no revolutionary grandeur to it. Nothing.
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I am just like Dr. Armaan - fun-loving, flirtatious, and tension-free. I am serious about my work, but apart from that, I am always playing pranks on people. As a viewer, I relate more to 'Dil Mill Gayye.'
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Maybe I should pretend like I'm not insecure, but I really am. This movie is going to come out and... will people like it? Will they like Rey?
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I think what people get confused about is that they want to label me as this EDM girl, but a lot of this stuff is genre-less.
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The priesthood is a marriage. People often start by falling in love, and they go on for years without realizing that love must change into some other love which is so unlike it that it can hardly be recognized as love at all.
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It's always convenient for certain people to heap accusations on Israel.
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I made lots of talks and challenged lots of people.
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Don't get me wrong: there are some fantastic people who work at British Cycling who kept me together, who were there when I was struggling with it all. They were walking the same tightrope in many ways, because if you do speak up, your days are numbered.
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I don't think fashion is evil.
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Different races never fazed me because coming from Bethnal Green, I'd been around people of different races forever. Different class? That was much harder.
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I finished my high school. I think an educate is very, very important.
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I think that one possible definition of our modern culture is that it is one in which nine-tenths of our intellectuals can't read any poetry.
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However far fiction writers stray from their own lives and experiences - and I stray pretty far from mine - I think, ultimately, that we may be writing what we need to write in some way, albeit unconsciously.
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I think a first-time director always has to convince a lot of people that they're ready to do it.
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There are people out there who want me to fail, who want Jude to fail, who want our relationship to fail.
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I love mispronunciations. I love when people mispronounce things.
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People who vote against this today are voting against me and I will not forget.
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My older brother, Jake, and I had a bohemian childhood. My parents are deeply unconventional people from the beatnik generation. They weren't married, and I thought that was normal. We called them by their first names.
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A basic ingredient in the manufacture of perfume, the attar-a heavy, pale-yellow oil stored in small metal drums-had been put up as collateral by Bulgaria, in lieu of gold, at the Moscow Narodny Bank, a Communist finance house for East-West trade.
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I go where the material is, and I feel like I'm looking for really strong directors. That's the key ingredient. There are some directors I would move the sun and earth for, or stop the rotation of the planets, just to work with them.
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When I was about six or seven, I did this character reenactment performance where I read a monologue from 'Peter Pan.' I got into a complete Peter Pan outfit and did a little paragraph from the script - and I ended up winning an award for it.
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There's always going to be a little bit of autobiographical content to everything. It's how you lend some authority to what you write - you give it that weight by drawing on your direct experiences and indirect experiences from people that you know well, or a little.
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Hamlet is a little daunting.
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To think of criticism as a conversation is to think of it as a social act, something that puts you in touch with other people who may think the way you do.
