Arthur Brisbane Quotes
Writing good editorials is chiefly telling the people what they think, not what you think.
Quotes to Explore
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In my town, and especially in my area, there were people from everywhere: Algerians, Senegalese, French people, Asians, all kinds of immigrants and natives, and everyone circulated.
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The best thing is to look natural, but it takes makeup to look natural.
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I had long had an instinct about there being a role for me in a creative industry. Maybe I didn't listen to that voice as much earlier on, but when it had become a deafening sound in my head I realised I had to go and explore it.
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Every guy should be the owner of a really nice pen. When you put your thoughts down, or whenever you're going to share something with someone, it means something if it bleeds out in a nice ink.
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The tempo is the suitcase. If the suitcase is too small, everything is completely wrinkled. If the tempo is too fast, everything becomes so scrambled you can't understand it.
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Men are domineering in rural Haryana, and that shows in sport, too.
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The Navy runs their process. The House of Representatives doesn't do anything about their process. We do not select. Navy officers select.
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I think every movie is its own little world, and a director certainly sets the tone.
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You think, 'You hired me because I'm a creative artist with a vision. Don't try and knock it out of me.'
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I've always been really, really aware of my insecurities - really, really aware. I never developed that thick skin that keeps you from letting things get to you.
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I feel some need to represent where I'm from. But ultimately, I think my only real responsibility is to - as much as possible - interrogate my own truths. This is to say not merely writing what I think is true, but using the writing to turn that alleged truth over and over, to stress-test it, in the aim of producing something readable.
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Awards are not the only markers of success; I don't judge myself just based on them. I believe that each cinema-goer has his own mental trophies.
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When the motor was completed and tested, we found that it would develop 16 horse power for a few seconds, but that the power rapidly dropped till, at the end of a minute, it was only 12 horse power.
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I am not the kind of director who sits in a chair smoking a cigar talking with a microphone to 10 assistants. I need to move. To touch. To put a painting on a wall. To arrange a set.
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I am a very active audience member. I want to be moved. I want to be confronted. I want to feel.
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I've always tried to explore the humorous aspects of life.
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Mulberry Street was the beating heart of the Italian-American experience, but you don't find those gangsters now. I live with a bunch of yuppies and models.
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When it's my last year, I'll probably let people know when that last pitch is thrown and say thanks and walk away.
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I love to perform. But I don't like the traveling.
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I liked to carry the script into an audition because, for me, it reminded people that this was not the final performance. I'm still a work in progress.
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No matter what you do or say, there's nothing that you can do to make people understand you.
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Writing good editorials is chiefly telling the people what they think, not what you think.
