Arthur Caplan Quotes
Quotes to Explore
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I think comedy has evolved like every art form, and people probably do less standing around and telling jokes, and more things that have to do with reality.
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I love doing eyes - my signature look is a cat eye. I think it's so feminine, and it reminds me of old Hollywood.
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I was a go-go dancer at the Dom on East 10th Street in NYC. This was a glittering ballroom over Stanley's Bar. 1965.
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I'm a wuss - a complete wuss!
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Now that mobile phones and the internet have altered the epistemic selective landscape in a revolutionary way, every religious organisation must scramble to evolve defences or become extinct.
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E-Verify is a very commonsense reform that we can implement here in the state of Florida. I think I share a lot of Floridians' frustration that it didn't pass and a lot of the politics that were taking place behind the scenes.
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Sometimes when you're writing a song and that song comes into your head, it definitely comes from somewhere, like a real experience.
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My dad was in the movie 'Moonwalker,' and I knew he could sing really well, but I didn't know he could act. I saw that, and I said, 'Wow. I want to be just like him.'
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I felt within myself that I needed to change what I was doing. I needed a new stimuli. So the interest from Manchester United was a perfect fit.
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When I was really young, I wanted to grow up and be the sun. Which shows an early penchant for ambition or narcissism or grandiosity or delusion - all of which are bellwethers for becoming a writer.
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I am an unrepentant tweetaholic. I use the communications service all day long to discover news, interesting tidbits and, of course, to flack the work of our tech and media news site, Re/code.
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I would like to do a duet with Taylor Hanson, because I have loved Hanson since I was 8.
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I'm happy to say that I'm a lesbian in the world. I know there are people who don't want to be called women comedians, but I think it gives a path to the fact that we live in extremely patriarchal times.
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We are all hungry and thirsty for concrete images. Abstract art will have been good for one thing: to restore its exact virginity to figurative art.
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I have always wanted to work with Lingusamy, as he is a master of commercial cinema. I have always admired his etching of female characters.
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You know, we have to take these characters - who, granted, have their separate personalities but, on a lot of levels, are pretty two-dimensional - and make them into people with flaws, with insecurities.
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I think a smart person today realizes that you have to be part of the art films that are done just for the sake of the art.
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I feel like Nashville has watched me grow up in front of them, which is cool, but it kind of sucks at the same time because you get pigeonholed, like, 'Oh, she's the girl with the long hair that wears fairy dresses.' That was me at one point because I was new and I was young. But we all grow up.
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The one thing that I've always kind of had, ever since I was a kid, was that I lack a certain degree of self-consciousness, which is alternately good and bad.
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I've heard time and again from small business owners in Ohio that extending bonus depreciation is the single biggest factor in allowing their businesses to grow. Allowing companies to use these tools for capital reinvestment is a common-sense way to encourage job creation.
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I've worked with David Lynch since I was 17, and working with him is home and family; being around Alexander Payne is home and family, Jonathan Demme. There are directors... Robert Altman, Paul Thomas Anderson... They are directors where I create homes.
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I am not trying to conform to an unrealistic model of beauty. I am, however, being proactive in being the healthiest I can be.
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Being a hooker does not mean being evil. The same with a pick-pocket, or even a thief. You do what you do out of necessity.
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Bodies aren't the same as Coca-Cola cans.
