Arthur Mitchell Quotes
Quotes to Explore
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I really don't want to portray the Islamists as simply evil, the way it's often done in the west.
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This is how it has been since time began: If you want to make something really worthwhile and true, then you have to suffer for it.
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I'm a collaborator. I know I don't know everything. I don't want to know everything.
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There is something akin to freedom in having a lover who has no control over you, except that which he gains by kindness and attachment.
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Whatever your image is, it's probably not you, but it affords you the freedom to live up to it.
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When you scratch the surface, every one of us has something that we deeply want to contribute to the world. All we have to do is step up and do it.
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I never let anything stop me from doing what I want to do.
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The Chinese have made a faustian pact with the government, agreeing to forsake demands for political and intellectual freedom in exchange for more material comfort. They live prosperous lives in which any expression of pain is forbidden.
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I want to work with different people, and I would like to work in different places.
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I started taking ballet lessons when I was three and a half and I still take dance classes.
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I didn't want to fall into the trap of complacency.
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It's really easy with makeup to look like you're trying too hard, like a clown. That's not what you want!
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It's interesting that a lot of female artists want to collaborate with me.
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I think that kids need to grow up watching what I grew up watching - great entertainment; you know, Judy Garland and all these musicals that bring song and dance and acting all together in a polished way.
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One movie is only one movie. I want to have a lifetime of making films.
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At the pinnacle of great design are products so gorgeous and lust-worthy that you want to lick them: a Porsche 911, Samsung's Luxia TV, an Eames lounge chair or anything by Loro Piana.
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For me, I'm focused on what I want to do. I know what I need to do to be a champion, so I'm working on it.
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The films that I've done before were original stories most of the time, I did two adaptations before this, but they were mostly original stories where I had complete freedom to evolve in the direction I wanted.
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On a group of theories one can found a school; but on a group of values one can found a culture, a civilization, a new way of living together among men.
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After 'Memory Keeper's Daughter,' it took me a few months to shut out the world. I really had to turn off the Internet and sort of cloister myself away from the world again and sink into that psychic space to write again.
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We had extremely democratic town councils in medieval Italy which knew the value of working together, and every now and then, down the centuries, this spirit returns.
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Divorce doesn't fit my cookie-cutter image.
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What does dance give you? The freedom to be who you are and do what you want to do.
