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You've got these big studio films and these tiny independent films now. It's very much either/or. With the independent films, it's always a beautiful risk - it might never be seen. With the studio films, you're conforming to the formula of what's always been in place.
Imogen Poots -
Seriously, I don't think there's any right way to do anything apart from if you're just being you; then it's a sincere situation.
Imogen Poots
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I'm lucky in that I have close friends and family and my agent to advise me.
Imogen Poots -
You have to think about what you want to do. There is nothing to say that you should study from the age of 20 to 23. I learnt more on a film set at 17 than in the classroom.
Imogen Poots -
I really love the '90s. I love the music from then for sure, and to go back to New York then would be a really wonderful thing.
Imogen Poots -
I love art, but not in a cliched, luvvie way.
Imogen Poots -
I never personalize anything because I think that can be dangerous. For me, the best way is - this may sound pretentious - but it's to breathe the character and get into the psychology of it.
Imogen Poots -
I'm a big Johnny Cash girl. And I love singers like Laura Marling and Joanna Newsom.
Imogen Poots
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I still try to be a feminist in some tiny way.
Imogen Poots -
I'm not a huge fan of scary movies, but I love doing them because your character arc gets condensed, and everything is elevated, and so you kind of have this amazing opportunity to go in many different places.
Imogen Poots -
It is a difficult one, as you get scripts where women are just objects.
Imogen Poots -
Unfortunately, Poots is the name that I've been graced with for my life, but it's not short for anything - apart from Imogen Poots.
Imogen Poots -
'Fright Night' I can just about deal with. Because the original is such a 1980s extravaganza. Which is a good thing. Obviously. But something like 'The Others' or anything psychological: I'm no good with that. I don't like it when there's space for me to use my imagination.
Imogen Poots