Richard Masur Quotes
I did a film many years ago called The Man Without A Face.Gaby [Hoffmann] was in with Mel Gibson. That was his directing debut. He did a great job.
Quotes to Explore
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I find the stuff that is exciting to me are the films coming out of Taiwan and Iran and France. So I have the feeling I'm not making the films that American distributors want to make.
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Today, not to take away from any of the present artists, but music has gotten a little shallow, in my opinion. Everybody's talking about the same thing: sex, money, clothes, cheating... I want to open up not necessarily better conversations, but, in my opinion, more important ones, and touch on things that are actually going on.
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Conscience is God present in man.
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It is very, very easy not to be offended by a book. You just have to shut it.
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It was on my fifth birthday that Papa put his hand on my shoulder and said, 'Remember, my son, if you ever need a helping hand, you'll find one at the end of your arm.'
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I have been involved with the USO really my entire life. The first show I did for the USO, I was nine years old.
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I remember having my father stand over me when I had driven over my own foot; one leg was out of the car and one leg was in the car. He looked at me and told me that I was a drunk and that he was ashamed to call me his son. That night, I stopped drinking and I never drank again; I was twenty four.
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I come from a dysfunctional family, so my views of parents and parenting used to be highly mixed.
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When I was in law school, there was a used book store nearby. I picked up a Harlequin romance and read it. It was stress relieving.
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You do have to learn how to wear a kilt, and it's certainly very liberating and very freeing, but surprisingly very comfortable to wear, to ride a horse in a kilt. I was surprised by that.
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In this business, you just never know from day to day. It's one reason I held off getting too involved in entertainment. I like being able to plan, I like to know what I'm going to be doing.
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I don't want to be known as the granddaughter of the Hiltons. I want to be known as Paris.
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Old age is not a disease - it is strength and survivorship, triumph over all kinds of vicissitudes and disappointments, trials and illnesses.
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As a male designer, you always need a woman's touch.
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Here dead lie we because we did not choose to live and shame the land from which we sprung. Life, to be sure, is nothing much to lose; but young men think it is, and we were young.
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Word of mouth is everything.
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I'd better make hay while the sun shines.
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It's a contract of connection to be in the same space and watch and listen to stories and be caught in them. When you're in a theater, your brain expands because somebody in the theater may do something or respond to something that you wouldn't have.
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I don't think there's any artist of any value who doesn't doubt what they're doing.
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Network marketing is based purely on relationship selling, which is the state of the art in selling today. Small and large companies throughout the country and the world are realizing that individuals selling to their friends and associates is the future of sales, because the critical element in buying is trust.
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When anyone plays a mother on film, there is a whole raft of judgment in that a mother is a particular archetype or that every mother is the same. That's complete rubbish.
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Just because we have exotic last names or darker faces, our politics are assumed to be radical. But that is simply not the case.
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But the biggest challenge overall was narrowing down the complex narrative elements into a clean and straightforward story while maintaining a sense of the cultural context that makes the film special.
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I did a film many years ago called The Man Without A Face.Gaby [Hoffmann] was in with Mel Gibson. That was his directing debut. He did a great job.
