Richard McCabe Quotes
In my whole career, in fact, I can remember only two first nights when a show was at its peak on the first night. And I just wish we could devise a system where critics came not on a single evening but were given a choice of performances to attend.
Quotes to Explore
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I try to get going early, on the assumption that the way you begin your day is the way you continue. But certain books only want to be written at night, so there's no hard rule where work is concerned.
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People may remember something I did on the field for a couple of days, maybe a week.
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You as an audience can look at these things as films, but I remember them as social experiences.
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I was very young during 'Chachi 420' and don't remember much now.
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I love talking to my friends at uni and seeing what they are doing. They're just finishing their dissertations, and I kind of wish I could live their life for a second. I wish my school days could have dragged on a little longer, or that I could go back and do it later in life.
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Honest people remember stories in the order of emotional prominence, but liars will recount a story in chronological order. Memory rarely works that way.
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One thing that did get me into a lot of different types of music was when I was very young, the local record store went out of business and they were selling off all the vinyl. I remember going in – I was probably 16 or 17 and I'd just gotten a record player as a present. It was like hitting the jackpot: all these records for $3 apiece.
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To feel today what one felt yesterday isn't to feel - it's to remember today what was felt yesterday, to be today's living corpse of what yesterday was lived and lost.
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Unless we remember we cannot understand.
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We don't have a jewellery background, so we just come up with these things that we wanna wear, that we wish were out there, you know?
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It's hard knowing who to trust with your personal life. When you cry in your room at night, you don't always know who to call. So I am very close to my family.
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I love driving in the city at night.
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Now that I'm feeling the responsibilities of adulthood, the choices we make become an incredible weight.
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I tell you the past is a bucket of ashes, so live not in your yesterdays, no just for tomorrow, but in the here and now. Keep moving and forget the post mortems; and remember, no one can get the jump on the future.
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There's something about being in a house with an audience, and having that immediate feedback. I started acting because of that energy; it's what feeds me on stage and informs my choices.
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What I think we need to do to engage the American people in a conversation about entitlement reform is to have a bipartisan group of people who come together and put every solution on the table, every alternative on the table. And then we ought to engage in a long conversation with the American people so they understand the choices.
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You must be the change you wish to see in the world.
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Instead of wishing to see more doctors made by women joining what there are, I wish to see as few doctors, either male or female, as possible. For, mark you, the women have made no improvement - they have only tried to be men and they have only succeeded in being third-rate men.
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I think you have to remember that Americans saw their purpose as so innately good that they could excuse the pain they would inflict on others to carry out those purposes. Because the purposes were so good, they would justify this pain we were inflicting on other people.
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Then I realized my early work did have something special that audiences adored apart from what I humbly thought about them. They occupy a distinguished niche in Italian film history and probably always will.
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Every artist is an artist, and every heartbeat is a heartbeat.
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I needed to walk through the 'Idol' door to get to the rest of my career.
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Nagasaki destroyed by the magic of science is the nearest man has yet approached to the realization of dreams that even during the safe immobility of sleep are accustomed to develop into nightmares of anxiety.
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In my whole career, in fact, I can remember only two first nights when a show was at its peak on the first night. And I just wish we could devise a system where critics came not on a single evening but were given a choice of performances to attend.
