Richard McCabe Quotes
In my whole career, in fact, I can remember only two first nights when a show was at its peak on the first night. And I just wish we could devise a system where critics came not on a single evening but were given a choice of performances to attend.
Quotes to Explore
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I try to get going early, on the assumption that the way you begin your day is the way you continue. But certain books only want to be written at night, so there's no hard rule where work is concerned.
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People may remember something I did on the field for a couple of days, maybe a week.
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You as an audience can look at these things as films, but I remember them as social experiences.
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I was very young during 'Chachi 420' and don't remember much now.
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I think my darkest days were probably when I was catering. I would go to these parties and pass out hors d'oeuvres, and it's like you're invisible. I remember one catering captain told me that all you are is a tray that comes into their space for a moment and then you leave. It was one of the most depressing things I've ever been told.
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She was obsessed with French and Swedish cinema. I also remember our mother showing us 'Gone With the Wind' very early on. She absolutely loved Vivien Leigh, so it must have been a formative experience for me, thinking, 'Oh, maybe one day I'll be like Vivien Leigh.'
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I've had a love affair with the desert ever since I can remember. No matter what I wrote - contemporary romance, spy thriller, high fantasy - it was going to have a desert in it.
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I love talking to my friends at uni and seeing what they are doing. They're just finishing their dissertations, and I kind of wish I could live their life for a second. I wish my school days could have dragged on a little longer, or that I could go back and do it later in life.
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Honest people remember stories in the order of emotional prominence, but liars will recount a story in chronological order. Memory rarely works that way.
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One thing that did get me into a lot of different types of music was when I was very young, the local record store went out of business and they were selling off all the vinyl. I remember going in – I was probably 16 or 17 and I'd just gotten a record player as a present. It was like hitting the jackpot: all these records for $3 apiece.
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To feel today what one felt yesterday isn't to feel - it's to remember today what was felt yesterday, to be today's living corpse of what yesterday was lived and lost.
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Unless we remember we cannot understand.
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We don't have a jewellery background, so we just come up with these things that we wanna wear, that we wish were out there, you know?
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It's hard knowing who to trust with your personal life. When you cry in your room at night, you don't always know who to call. So I am very close to my family.
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I love driving in the city at night.
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Now that I'm feeling the responsibilities of adulthood, the choices we make become an incredible weight.
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I tell you the past is a bucket of ashes, so live not in your yesterdays, no just for tomorrow, but in the here and now. Keep moving and forget the post mortems; and remember, no one can get the jump on the future.
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There's something about being in a house with an audience, and having that immediate feedback. I started acting because of that energy; it's what feeds me on stage and informs my choices.
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What I think we need to do to engage the American people in a conversation about entitlement reform is to have a bipartisan group of people who come together and put every solution on the table, every alternative on the table. And then we ought to engage in a long conversation with the American people so they understand the choices.
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You must be the change you wish to see in the world.
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Though representatives of many ethnic groups came together in the United States, English became their common language. Apparently, this was a natural choice. One can imagine what would have happened if members of each nation moving to the U.S. had spoken only their own tongues and refused to learn English.
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This quarterback Weeden can drive the ball down field. He's a thing of beauty on throwing a football. His passing motion and his arm, frankly, you won't see a more gifted passer, power, accuracy, the entire aspect of it.
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I would rather write something that's authentic to me than something that'll be likely to get played on the radio but doesn't have any substance to it. People can see through that really quickly.
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In my whole career, in fact, I can remember only two first nights when a show was at its peak on the first night. And I just wish we could devise a system where critics came not on a single evening but were given a choice of performances to attend.
