Steven Siro Vai Quotes
So that's the challenge for me and that has always been the challenge - finding that melody, that riff, that thing that just lights me up and makes me feel like it's Christmas.
Quotes to Explore
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Nuclear power plants must be prepared to withstand everything from earthquakes to tsunamis, from fires to floods to acts of terrorism.
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Don't let nobody tell you that you can't do it. Love what you do until you don't love it anymore. Nothing's impossible.
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I listen to Helmet - and I love Helmet, they're a great band - but every song sounds the same.
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Being on your own would be sad, sick and weird. I don't trust myself. I need that balance.
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Relationships, it seems to me, are timeless. What works between two people always works; what doesn't is always troublesome. Over time, people learn - or not - how to negotiate what's difficult, but that doesn't mean the misfit has gone away entirely.
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The hatred Muslim extremists feel against the West feeds on certain conflicts in the world.
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I think mobility is very important, not only to discover opportunities elsewhere but at times, also to appreciate better what your home town has. Allahabad, for instance, has the feel of a small, tightly-knit community where everyone participates.
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In many of my plays, there was a kind of autobiographical character in the form of a son or young man.
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I really enjoy dancing. When there's music around, I can't help it; I start dancing, especially when I'm with friends.
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From the ashes of a financial crash, there is a chance to create a new economic settlement that is more equal, sustainable and democratic.
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I can't understand artists that don't want to perform and, like, get on stage and do their songs for all their fans every night.
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Love is not the dying moan of a distant violin - it's the triumphant twang of a bedspring.
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A man will turn over half a library to make one book.
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As goes California, so goes the rest of the nation.
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If we were truly in the studio making a record, it would have been more time consuming, and certainly I would have been more involved in the writing process.
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I feel like I'm not the greatest general manager in the history of general managers, but I do OK, and I'm learning as I go. I try to just do my best with it.
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Working with Jack Albertson was one of my great joys.
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A lot of times on tour it's about, 'OK, where am I today? Wow, I'm in Costa Rica. What is their famous dish?' And it's about trying the food, and really experiencing it.
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What I find is that when young people find a brand they relate to, that they feel speaks to them, they want it in every format they can get.
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People are so familiar with the show that I think they're perfectly happy to let it go by without asking any questions. There's a passivity to how we experience 'The Sound of Music.'
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That has always been a strength of Haiti: Beyond crisis, it has beautiful art; it has beautiful music. But people have not heard about those as much as they heard about the coups and so forth. I always hope that the people who read me will want to learn more about Haiti.
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What I did was, I went and collected every bit of information from Adventist publishing houses in the basic areas of doctrine covered in the book Questions on Doctrine.
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So that's the challenge for me and that has always been the challenge - finding that melody, that riff, that thing that just lights me up and makes me feel like it's Christmas.
